What <em>Hedda</em> Reveals About the Timelessness of Feminine Rage

What Hedda Reveals About the Timelessness of Feminine Rage

Hannah Bonner Talks to Director Nia DaCosta About Her Cinematic Adaptation of Henrik Ibsen’s Play

By Hannah Bonner | October 10, 2025

Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s <em>Priscilla</em>

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

Hannah Bonner on the Director’s Latest “Waiting Woman”

By Hannah Bonner | November 10, 2023

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

Hannah Bonner Formally Introduces the Refocus Film Festival

By Hannah Bonner | September 29, 2023

Becoming Others: Enacting the Transness of Virginia Woolf’s <em>Orlando</em>

Becoming Others: Enacting the Transness of Virginia Woolf’s Orlando

Hannah Bonner on the Utopian Future of Paul B. Preciado’s Orlando, My Political Biography

By Hannah Bonner | August 3, 2023

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