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Literary Criticism
Haiku: The Evolution of a Strict Poetic Game
From Bashō to Salinger and Everything in Between
By
Hiroaki Sato
| November 5, 2018
Literary Magazines Are Born to Die
Five Defunct Journals We Should Not Forget
By
Nick Ripatrazone
| November 2, 2018
The Avid Reader: Sandra Cisneros on Elena Poniatowska
Having a Coffee with One of Mexico's Great Novelists
By
Sandra Cisneros
| November 1, 2018
The Zombies of Karl Marx: Horror in Capitalism's Wake
Brains, one might say, “to each according to his need.”
By
Tyler Malone
| October 31, 2018
How Much Did James Joyce Base "The Dead" on His Own Family?
Colm Tóibín on the Greatest Short Story Ever Written
By
Colm Tóibín
| October 30, 2018
Literary Hoax is the Most Underappreciated Genre
From James Macpherson to Lee Israel to JT LeRoy, It's All Good
By
J.W. McCormack
| October 30, 2018
Best Reviewed
Books of the Week
The Radical Moralist: On Lionel Trilling's Literary Criticism
By
Adam Kirsch
| October 30, 2018
Why Contemporary Art (and Literature) Needs More Sarcastic Critics
By
César Aira
| October 29, 2018
In Gratitude for the Fierce Women of the World
By
Laird Hunt
| October 29, 2018
The Year I Stopped Reading White People
Jerome Blanco on the Power of Writing What You Know
By
Jerome Blanco
| October 24, 2018
The Psychiatrist Who Tried To Save Sylvia Plath
Paul Alexander on the Real "Doctor Nolan"
By
Paul Alexander
| October 23, 2018
The Vulnerable Private Writings of Ernest Hemingway
Sandra Spanier Considers the Archive of an Icon
By
Sandra Spanier
| October 23, 2018
Amy Bloom on the Legacy of Thom Jones
In Praise of Razor-Edged, Moving Fiction
By
Amy Bloom
| October 18, 2018
Why America’s Best Political Novelist Is Required Reading in 2018
On the Prescience of Ward Just
By
Susan Zakin
| October 17, 2018
Life Got You Down? Time to Read
The Master and Margarita
Or, How to Be Happy With Russian Literature
By
Viv Groskop
| October 16, 2018
Passing for White: A Literary History
Darryl Pinckney on the Life and Writing of Nella Larsen
By
Darryl Pinckney
| October 15, 2018
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“Profit is the Only Principle”: How 'Point Blank' Presaged Our Current Moment
April 23, 2026
by
Greg Wands
What to Watch Now, International Edition: The Two Prosecutors (2025)
April 23, 2026
by
Radha Vatsal
6 Thrillers That Sit with Discomfort and Ethical Ambiguities
April 23, 2026
by
Michael Cowan
The Best Reviewed Books of the Week
"A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"