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More Than a War Diary: Angela Flournoy on Jean Said Makdisi’s <em>Beirut Fragments</em>

More Than a War Diary: Angela Flournoy on Jean Said Makdisi’s Beirut Fragments

“She does not purport to be braver than she felt at any given time. Instead she is honest about her fear.”

By Angela Flournoy | July 14, 2026

The Cell Phone Novel Craze of Early 2000s Japan Did Not, in Fact, Destroy Literature

The Cell Phone Novel Craze of Early 2000s Japan Did Not, in Fact, Destroy Literature

Nicole Blackwood Charts the Rise and Fall of a Literary Microtrend

By Nicole Blackwood | July 13, 2026

“A Person Should Be in Love Most of the Time.” An[other] Ode to Grace Paley

“A Person Should Be in Love Most of the Time.” An[other] Ode to Grace Paley

Moriel Rothman-Zecher Considers the Writer’s Dual Role as Activist and Artist

By Moriel Rothman-Zecher | July 13, 2026

Intimacy as Art: André Aciman on Eric Rohmer’s <em>Élisabeth</em>

Intimacy as Art: André Aciman on Eric Rohmer’s Élisabeth

“Rohmer’s characters... could all be on time-out and exist on an entirely different planet... But be under no illusion; it is still our world.”

By André Aciman | July 13, 2026

When Someone Wants to Publish Your Correspondence With a Famous Writer

When Someone Wants to Publish Your Correspondence With a Famous Writer

Alice Mattison on the Intimacies of Reading Other People’s Letters

By Alice Mattison | July 13, 2026

Quietly Flamboyant: In Praise of Sober Queerness

Quietly Flamboyant: In Praise of Sober Queerness

Jack Parlett Considers the Experiences of Some of His Favorite Artists With Sobriety (Alongside His Own)

By Jack Parlett | July 13, 2026

Best Reviewed
Books of the Week

  • Switzy
  • Taipei Story
  • Ambivalence: An Education
  • The Pirate Queen
  • The Living Realm
  • Frenchman Flat: The Rise and Fall of Atomic Bombs
  • In the Realm of the Last Man: A Memoir
  • Love Machines: How Artificial Intelligence Is Transforming Our Relationships
  • The Passing of the Dragon and Other Stories
  • Tower Hill: A Plantation on the Edge of Rebellion

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | July 10, 2026

Remembering Tom Stoppard:
A Night at the Theater

By Morgan Entrekin | July 9, 2026

How—and Why—to Cull Your Book Collection

By Maris Kreizman | July 9, 2026

If Rachel Aviv Weren’t a Writer, She’d Be a Psychologist

If Rachel Aviv Weren’t a Writer, She’d Be a Psychologist

The Author of You Won’t Get Free of It Takes the Lit Hub Questionnaire

By Literary Hub | July 9, 2026

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“It’s nothing more than hagiography for a dumbass.”

By Book Marks | July 9, 2026

The Independent Press Top 40 Bestsellers: Fiction

The Independent Press Top 40 Bestsellers: Fiction

For the week ending July 5, 2026

By Literary Hub | July 9, 2026

The Independent Press Top 40 Bestsellers: Nonfiction

The Independent Press Top 40 Bestsellers: Nonfiction

For the week ending July 5, 2026

By Literary Hub | July 9, 2026

Peter Hessler on the Implications of a Chinese Education

Peter Hessler on the Implications of a Chinese Education

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | July 9, 2026

How Jane Austen Blew a Hole Through the Romance Genre She Created

How Jane Austen Blew a Hole Through the Romance Genre She Created

Catherine Cliff on Austen‘s Third Model of Spinsterhood: Being a Self-Made Woman

By Catherine Cliff | July 8, 2026

Daniel Mason, Rachel Aviv, Emeline Atwood and more: 21 new books out today!

Daniel Mason, Rachel Aviv, Emeline Atwood and more: 21 new books out today!

By Julia Hass | July 7, 2026

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Page 11 of 479
    • This Year's Emmy Awards was All About CrimeSeptember 16, 2026 by Olivia Rutigliano
    • Emily Zinnikas on Befriending Our MonstersSeptember 16, 2026 by Emily Zinnikas
    • Zoje Stage on Writing Genre Fiction in An Era of Extreme Political DivisionSeptember 16, 2026 by Zoje Stage
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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