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Naming What Can Be Lost: Matthew Zapruder on Poems for Dire Times

Naming What Can Be Lost: Matthew Zapruder on Poems for Dire Times

“The greatest poems demand change. Maybe we need to change to meet them.”

By Matthew Zapruder | September 13, 2022

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Jane Ciabattari Talks to the Author of Bliss Montage

By Jane Ciabattari | September 13, 2022

Chantal V. Johnson on Letting the Reader Be Smarter Than Her Character

Chantal V. Johnson on Letting the Reader Be Smarter Than Her Character

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | September 13, 2022

Deforming Medium: A Reading List of Experimental Points of View

Deforming Medium: A Reading List of Experimental Points of View

Jonathan Dee Recommends Gustave Flaubert, Imbolo Mbue, William Maxwell, and More

By Jonathan Dee | September 13, 2022

<em>The Rising Tide</em> by Ann Cleeves, Read by Janine Birkett

The Rising Tide by Ann Cleeves, Read by Janine Birkett

Back on the Case with DI Vera Stanhope

By Behind the Mic | September 13, 2022

How Seriously Should We Consider the January 6 Insurrection As a Threat to the American Republic?

How Seriously Should We Consider the January 6 Insurrection As a Threat to the American Republic?

Luke Mogelson in Conversation with Andrew Keen on Keen On

By Keen On | September 13, 2022

Best Reviewed
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Why World War II Remains So Seductive to Novelists For Writing About Good and Evil

By Keen On | September 13, 2022

How Writers Can Use Both Memory and Forgetting to Improve Their Work

By Keen On | September 13, 2022

Introducing The Writers Institute, a Deep-Dive Into the Audio Archives of the New York State Writers Institute

By The Writers Institute | September 13, 2022

Luke Mogelson on the Far-Right, the Militia Movement, and the Threat of Trumpism

Luke Mogelson on the Far-Right, the Militia Movement, and the Threat of Trumpism

And Other Lessons From His New Book The Storm is Here

By Luke Mogelson | September 12, 2022

“I hunt and fish because it helps my writing.” Some Very Specific Writing Advice from Jim Harrison

“I hunt and fish because it helps my writing.” Some Very Specific Writing Advice from Jim Harrison

From the The Search for the Genuine: Selected Nonfiction, 1970-2015

By Jim Harrison | September 12, 2022

Five Writers on How Writing with Creative Constraints Unlocked Their Projects

Five Writers on How Writing with Creative Constraints Unlocked Their Projects

From Dashiel Carrera, Matthew Vollmer, Matthew Tomkinson, Julie Carr, and Jean Marc Ah-Sen

By Dashiel Carrera | September 12, 2022

Gut Feelings: How Does Intuition Work, Anyway?

Gut Feelings: How Does Intuition Work, Anyway?

Elaine Fox Explores an Illusive Form of Intelligence

By Elaine Fox | September 12, 2022

Heroes or Traitors? Writing the Story of the Saint Patrick’s Battalion in the Mexican-American War

Heroes or Traitors? Writing the Story of the Saint Patrick’s Battalion in the Mexican-American War

Reyna Grande on the Little Known Tale of Mexican—and American—History

By Reyna Grande | September 12, 2022

The Madness of Online Crowds: What the 2016 Murder of Seth Rich Tells Us About Our Conspiratorial Age

The Madness of Online Crowds: What the 2016 Murder of Seth Rich Tells Us About Our Conspiratorial Age

Andy Kroll in Conversation with Andrew Keen on Keen On

By Keen On | September 12, 2022

Mychal Denzel Smith on How to Have an Opinion in Memoir

Mychal Denzel Smith on How to Have an Opinion in Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 12, 2022

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