Who Really Runs the World? On Power and How<br> We Perceive It

Who Really Runs the World? On Power and How
We Perceive It

The Host of Keen On Wonders Why We Don’t Like to Talk About Our Own Power

By Andrew Keen | March 11, 2022

Edith Wharton on How to Write a Vivid First Line

Edith Wharton on How to Write a Vivid First Line

"[It] should be something more than a trick."

By Edith Wharton | March 11, 2022

Bring Back the Vibes of <em>Howards End</em>, You Cowards

Bring Back the Vibes of Howards End, You Cowards

On the Film's 30th Anniversary, Sara Batkie Praises Merchant Ivory's Blueprint

By Sara Batkie | March 11, 2022

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

“You are right in thinking I am interested in Kerouac and his work.”

By Literary Hub | March 11, 2022

Banks and Tanks: Is the Economic Arsenal Working Against Russia?

Banks and Tanks: Is the Economic Arsenal Working Against Russia?

This Week on Radio Open Source with Christopher Lydon

By Open Source | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

The More Personal the Joke, the Bigger the Laugh (and More Lessons from a Career in Cartoons)

By David Sipress | March 11, 2022

Malcolm Gladwell on the Future of Audiobooks

By Behind the Mic | March 11, 2022

Lenin in Paris: When the City Was a Refuge for Russian Artists and Dissidents

By Helen Rappaport | March 11, 2022

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

From Season Three of Poetry in America

By The Virtual Book Channel | March 11, 2022

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by NoViolet Bulawayo, Karen Joy Fowler, Amy Bloom, and more

By Book Marks | March 11, 2022

Ari Ezra Waldman on Big Tech’s Existential Threat to Our Privacy and Liberty

Ari Ezra Waldman on Big Tech’s Existential Threat to Our Privacy and Liberty

In Conversation with Andrew Keen on Keen On

By Keen On | March 11, 2022

“Night Sewing”

“Night Sewing”

A Poem by Olga Sedakova, Translated by Martha Kelly

By Olga Sedakova | March 11, 2022

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

In Conversation with Rob Wolf on the New Books Network

By New Books Network | March 11, 2022

Tom Sleigh on Translating War Zone Experiences into Poetry

Tom Sleigh on Translating War Zone Experiences into Poetry

This Week from The Common Podcast

By The Common | March 11, 2022

<em>The Postmistress of Paris</em> by Meg Waite Clayton, Read by Imani Jade Powers and Graham Halstead

The Postmistress of Paris by Meg Waite Clayton, Read by Imani Jade Powers and Graham Halstead

Intense and Emotional Historical Fiction

By Behind the Mic | March 11, 2022

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