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  • Craft and Criticism
    • Literary Criticism
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How to Spot a Fraud: Never Trust Anything That Sounds Too Good to Be True

How to Spot a Fraud: Never Trust Anything That Sounds Too Good to Be True

Dan McCrum in Conversation with Andrew Keen

By Keen On | June 22, 2022

Why the Crisis of Teenage Anxiety Might Begin and End With Sleep Deprivation

Why the Crisis of Teenage Anxiety Might Begin and End With Sleep Deprivation

Lisa Lewis in Conversation with Andrew Keen

By Keen On | June 21, 2022

A Close Reading of Emily Dickinson’s Poem “Because I could not stop for Death”

A Close Reading of Emily Dickinson’s Poem “Because I could not stop for Death”

From The History of Literature Podcast with Jacke Wilson

By History of Literature | June 21, 2022

On the Etymologies and Linguistic Evolutions of “Family”

On the Etymologies and Linguistic Evolutions of “Family”

Marina Manoukian Explores the Communication of a Ubiquitous Idea Across Disparate Cultures

By Marina Manoukian | June 21, 2022

To the Stranger Who Returned My Lost Notebook

To the Stranger Who Returned My Lost Notebook

Leigh N. Gallagher on Losing—and Recovering—an Archive of Feelings

By Leigh N. Gallagher | June 21, 2022

The Coordination of 100 Muscles: On Reclaiming Speech as a Stutterer

The Coordination of 100 Muscles: On Reclaiming Speech as a Stutterer

Why John Whittier Treat Wrote a Character Who Shares His Struggle

By John Whittier Treat | June 21, 2022

Best Reviewed
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Sera Gamble on Rejection, Writing, and the Surreality of Having 50 Million People Hear Her College Poetry

By Jessie Gaynor | June 21, 2022

What a Global Approach to Writing Teaches Us

By Ru Freeman | June 21, 2022

Why Failure is Necessary for Creative Growth

By Brandon Stosuy | June 21, 2022

Lawrence Jackson on the Distinction Between Home and Shelter

Lawrence Jackson on the Distinction Between Home and Shelter

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 21, 2022

“Will There Be War in the Morning?” Inside the Home of Italy’s Foreign Minister, August, 1939

“Will There Be War in the Morning?” Inside the Home of Italy’s Foreign Minister, August, 1939

Tilar J. Mazzeo on Galeazzo Ciano and His Wife (and Mussolini’s Daughter) Edda

By Tilar J. Mazzeo | June 21, 2022

After Two Pregnancy Losses, I Wrote the Book I Needed to Read

After Two Pregnancy Losses, I Wrote the Book I Needed to Read

Anna Hogeland on Searching for Narratives to Meet Her in Her Grief

By Anna Hogeland | June 21, 2022

What We Know (and Don’t Know) About Fat

What We Know (and Don’t Know) About Fat

David R. Montgomery and Anne Biklé on the Evolving Science Around What We Eat

By David R. Montgomery and Anne Biklé | June 21, 2022

How the Women in My Family Fought for Their Daughters' Education

How the Women in My Family Fought for Their Daughters' Education

Zhuqing Li on the Wisdom of Her Mother: “Knowledge is something no one can take away from you.”

By Zhuqing Li | June 21, 2022

Rather Than Jefferson or Washington, Should Americans Be Celebrating Indigenous Leaders Like Crazy Horse and Sitting Bull As Their Greatest Historical Figures?

Rather Than Jefferson or Washington, Should Americans Be Celebrating Indigenous Leaders Like Crazy Horse and Sitting Bull As Their Greatest Historical Figures?

Mark Lee Gardner in Conversation with Andrew Keen

By Keen On | June 21, 2022

Charmaine Wilkerson on the Power of Omission—and How to Do It Well

Charmaine Wilkerson on the Power of Omission—and How to Do It Well

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 21, 2022

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    • Tracy Clark on Writing a Black Female DetectiveDecember 3, 2025 by Tracy Clark
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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