Fast Ingredients: Mark Bittman on How To Stock Your Pantry With All the Essentials

Fast Ingredients: Mark Bittman on How To Stock Your Pantry With All the Essentials

How to Make Cooking at Home Easier Than Ever

By Mark Bittman | September 20, 2022

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

The Author of Sweet, Soft, Plenty Rhythm Considers the Mysteries of Art and Love

By Laura Warrell | September 20, 2022

Maggie O’Farrell on Elspeth Barker’s Modern Scottish Classic, <em>O Caledonia</em>

Maggie O’Farrell on Elspeth Barker’s Modern Scottish Classic, O Caledonia

“This book, then, is the equivalent of a literary phoenix—rare, thrilling, one of a kind.”

By Maggie O'Farrell | September 20, 2022

Where Blackness is a World of Possibility

Where Blackness is a World of Possibility

Hafizah Augustus Geter on the Shape of Black Joy

By Hafizah Augustus Geter | September 20, 2022

Post-Realist Fiction: Why Realism Is No Longer an Adequate Novelistic Form for Describing the World

Post-Realist Fiction: Why Realism Is No Longer an Adequate Novelistic Form for Describing the World

Amit Chaudhuri in Conversation with Andrew Keen on Keen On

By Keen On | September 20, 2022

"There Are an Unreasonable Number of Words." GennaRose Nethercott on Moving from Poetry to a Novel

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | September 20, 2022

Best Reviewed
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  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
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  • The Six Loves of James I

How Rising CO2 Is Turning Life on Earth Into a Bad Science Fiction Movie

By Keen On | September 20, 2022

Tim Jones-Yelvington on Writing About Sex Through the Affect of Language

By I'm a Writer But | September 20, 2022

Man O' War by Cory McCarthy, Read by E.R. Fightmaster

By Behind the Mic | September 20, 2022

What Makes Things Go Right or Wrong For Novelists in Hollywood?

What Makes Things Go Right or Wrong For Novelists in Hollywood?

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 20, 2022

Black Skinheads and Kanye West: Reflecting on the Democratic Party As the Natural Political Home of African Americans

Black Skinheads and Kanye West: Reflecting on the Democratic Party As the Natural Political Home of African Americans

Brandi Collins-Dexter in Conversation with Andrew Keen on Keen On

By Keen On | September 20, 2022

A Defense of Aristocracy? How the American Morgenthau Dynasty Pursued an Ethic of Public Service

A Defense of Aristocracy? How the American Morgenthau Dynasty Pursued an Ethic of Public Service

Andrew Meier in Conversation with Andrew Keen on Keen On

By Keen On | September 20, 2022

How the Trapper Keeper Shaped a Generation of Writers

How the Trapper Keeper Shaped a Generation of Writers

Jess deCourcy Hinds on the Most Popular School Supply of All Time

By Jess deCourcy Hinds | September 19, 2022

Exploring Spaces Between Experiences and Stories: Rachel Aviv and Chloé Cooper Jones in Conversation

Exploring Spaces Between Experiences and Stories: Rachel Aviv and Chloé Cooper Jones in Conversation

The Author of Strangers to Ourselves Discusses Diagnoses, Introspection, and the Collaborative Process of Writing about Real People

By Chloé Cooper Jones | September 19, 2022

Break Everything and Begin Again: On Fragmentation as a Form

Break Everything and Begin Again: On Fragmentation as a Form

Sarah Haas Considers the Ways We Give Shape to Ideas

By Sarah Haas | September 19, 2022

The Lost Stitch, The Loosened Tile: Akiko Busch on the Ambiguities of Home

The Lost Stitch, The Loosened Tile: Akiko Busch on the Ambiguities of Home

“I remember the feel of these rooms much more than I even remember the people in them.”

By Akiko Busch | September 19, 2022

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