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WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 18, 2023

What the Social Lives of Koalas Tell Us About Ourselves

What the Social Lives of Koalas Tell Us About Ourselves

Danielle Clode on Solitude and Companionship in the Animal Kingdom

By Danielle Clode | January 18, 2023

Heather Radke on the Profundity of Our Unruly Bodies

Heather Radke on the Profundity of Our Unruly Bodies

In Conversation with Jordan Kisner on Thresholds

By Thresholds | January 18, 2023

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 18, 2023

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

Erica Eisdorfer Talks to the Author of Vintage Contemporaries

By Erica Eisdorfer | January 17, 2023

Dissolution Foretold: Neurosurgeon Henry Marsh on the Reality of His Own Diagnosis

Dissolution Foretold: Neurosurgeon Henry Marsh on the Reality of His Own Diagnosis

“The problem is that our true self, our brain, has changed.”

By Henry Marsh | January 17, 2023

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

How Leaning into Marginalia Helped Me Accept the Loss of Control That Comes with Publication

By Josh Riedel | January 17, 2023

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

By Jane Ciabattari | January 17, 2023

The Future President and the Novelist: When Norman Mailer Met John F. Kennedy

By Richard Bradford | January 17, 2023

Does Edith Wharton Hate Us?

Does Edith Wharton Hate Us?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | January 17, 2023

Alia Trabucco Zerán, the Author of <em>When Women Kill</em>, on Writing While Uncomfortable

Alia Trabucco Zerán, the Author of When Women Kill, on Writing While Uncomfortable

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 17, 2023

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 17, 2023

Adriana Trigiani on Discipline and the Writing Life

Adriana Trigiani on Discipline and the Writing Life

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 17, 2023

What Would It Mean to Really Make Space for Mother-Artists?

What Would It Mean to Really Make Space for Mother-Artists?

Janet Manley on Hettie Judah and the Perennial Problem of the “Mother-Shaped Hole”

By Janet Manley | January 13, 2023

Toni Morrison on Breathing Life into Clichés

Toni Morrison on Breathing Life into Clichés

"A cliché is a cliché because it’s worthwhile. Otherwise, it would have been discarded."

By Toni Morrison | January 13, 2023

An Extraordinary Partnership: <em>Turn Every Page</em> Illustrates the Rare Ideal of Artistic Collaboration

An Extraordinary Partnership: Turn Every Page Illustrates the Rare Ideal of Artistic Collaboration

Michelle Nijhuis Considers the New Documentary About Robert Caro and Robert Gottlieb

By Michelle Nijhuis | January 13, 2023

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    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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