Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
The Latest
The Invisible Women, Immigrants, and Poor Americans of The Great Depression
Dana Frank Excavates the Stories of the Forgotten in an America That Needs to Hear Them Today
By
Dana Frank
| October 9, 2024
The Real Tomb Raiders: How Freeports Enabled International Art Theft
Atossa Araxia Abrahamian on the Medici Affair, the History of Free Trade Zones, and the Mysteries of the Geneva Freeport
By
Atossa Araxia Abrahamian
| October 9, 2024
Five Books That Showcase the Fascinating Landscape of European Folklore
Ben Edge Recommends Work by John Maizels, Charles Freger, Stefan Fisher and More
By
Ben Edge
| October 9, 2024
What the Science of Memory Can (and Can’t) Reveal about Truth in Memoir
Debra Nystrom on the Power of Personal Story Alongside Objective Study
By
Debra Nystrom
| October 9, 2024
Secrets of Los Alamos: How Family Stories Can Help Inform Historical Fiction
Rachel Robbins Considers the Roles of Fact, History and Memory in Storytelling
By
Rachel Robbins
| October 9, 2024
How American Jews Created a Place For Themselves in Show Business
Richard Bernstein on the Early Years of Mass Entertainment in the United States
By
Richard Bernstein
| October 9, 2024
Best Reviewed
Books of the Week
Kalyanee Mam on Knowing Your Taste
By
Emergence Magazine
| October 9, 2024
10 Best Books for Understanding American Class
By
Literary Hub
| October 8, 2024
A Literary Inheritance: On the Stories We Tell (and Don’t Tell) To Our Children
By
Alejandro Zambra
| October 8, 2024
The “People’s Car.” How Nazi Germany Created the Volkswagen Beetle
Witold Rybczynski Explores the Dark History and Unsavory Origins of an Automotive Icon
By
Witold Rybczynski
| October 8, 2024
“Books Are Weapons in the War of Ideas.” The Incendiary Power of Literature in an Era of Censorship
Kenneth C. Davis on Book Bans, Reading as Exercising, and Turning to Shorter Books in the Age of Screens
By
Kenneth C. Davis
| October 8, 2024
Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers
Featuring Charles Bock, Mike Fu, Kate Greathead, and More
By
Teddy Wayne
| October 8, 2024
Luis Jaramillo on Creating a Multigenerational Speculative Story of the Borderlands
Jane Ciabattari Talks to the Author of “The Witches of El Paso”
By
Jane Ciabattari
| October 8, 2024
On the Environmental and Philosophical Factors Behind Literary Creation
Steve Wasserman Deconstructs the “Writer’s Space”
By
Steve Wasserman
| October 7, 2024
Satanic Sympathies: On the Demon Depictions That Helped Jamie Quarto Write
Two-Step Devil
Featuring Work by William Blake, Rabih Alammedine, Mechthild of Magdeburg, and More
By
Jamie Quatro
| October 7, 2024
All or Nothing: Deborah Levy on Marguerite Duras’s
The Lover
“Duras never covertly apologizes for the moral or psychological way that she exists in the world.”
By
Deborah Levy
| October 7, 2024
« First
‹ Previous
173
174
175
176
177
178
179
180
181
Next ›
Last »
Page 177 of 1568
How Jane Austen Influenced Modern Detective Fiction
May 12, 2026
by
Lucy Andrews
Tiffany Hanssen on Tony Soprano, Writing Antiheroes, and Fictionalizing Family Members
May 12, 2026
by
Gabrielle Bellot
David Bergen on Patricia Highsmith, Backstories, and Why Tom Ripley's Character Works
May 12, 2026
by
David Bergen
The Best Reviewed Books of the Week
"She s not a minimalist but Elizabeth Strout does more with less than any writer…"