On the Rare Decency of <br>Susan Kamil

On the Rare Decency of
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John Freeman Remembers One of Publishing's Great Editors

By John Freeman | September 16, 2019

On Eric Garner, Jean-Michel Basquiat and Police Brutality as American Tradition

On Eric Garner, Jean-Michel Basquiat and Police Brutality as American Tradition

“¿DEFACEMENT?,” Inspired by the 1983 Police Murder of Michael Stewart

By J. Faith Almiron | September 13, 2019

September 10, 2001 at the World Trade Center's Windows on the World

September 10, 2001 at the World Trade Center's Windows on the World

Life in New York City on the Eve of History

By Tom Roston | September 13, 2019

On Attempting to Deal With Addiction Through Books

On Attempting to Deal With Addiction Through Books

Chris Fleming Discovers an Unlikely Ally in Marcus Aurelius

By Chris Fleming | September 13, 2019

What Are We Saying When We Grant a Movie 'Universal' Status?

What Are We Saying When We Grant a Movie 'Universal' Status?

The Farewell">Simon Han on the "Good Lie" of The Farewell

By Simon Han | September 13, 2019

The Inspired Vengeance of Mythic Icelandic Women

The Inspired Vengeance of Mythic Icelandic Women

Kassandra Montag on Learning to Write Blunt, Unabashed Characters

By Kassandra Montag | September 13, 2019

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Dead Men of Leisure on Their Love of Fishing

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Jennine Capó Crucet on Her Time Among the Whites

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11 Forgotten Books of the 1920s Worth Reading Now

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Lit Hub Recommends: Nell Zink, Jia Tolentino, and Jane the Virgin

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A Brief History of Mostly Terrible Campaign Biographies

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A Legendary Publishing House's Most Infamous Rejection Letters

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When Faber & Faber’s T.S. Eliot Passed on George Orwell (and More)

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The Hard, Familiar Truths of Rion Amilcar Scott's Invented World

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The Author of The World Doesn't Require You in Conversation with Danielle Evans

By Danielle Evans | September 12, 2019

When D.H. Lawrence's

When D.H. Lawrence's "Unlovely" Paintings Were Confiscated by Scotland Yard

NSFW (If You're a Cop)

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The Eerily Prescient Lessons of<br> <em>Darkness at Noon</em>

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Michael Scammell on the Eternal Totalitarian Truths of Arthur Koestler's Classic

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