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Dara Barrois/Dixon on the Lived Poetry of the Late James Tate

Dara Barrois/Dixon on the Lived Poetry of the Late James Tate

Peter Mishler Talks to One of the Editors of Hell, I Love Everybody: The Essential James Tate

By Peter Mishler | November 28, 2023

Gabriel García Márquez on the Magic of Juan Rulfo

Gabriel García Márquez on the Magic of Juan Rulfo

A Foreword to the Classic Mexican Novel Pedro Páramo

By Gabriel García Márquez | November 27, 2023

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Lisa Gornick Hosts a Conversation with Julia Alvarez, Fiona Davis, Andrea Lee, and Elizabeth Strout

By Lisa Gornick | November 27, 2023

(Don’t) Watch Your Tongue: Why Swearing Is Fun

(Don’t) Watch Your Tongue: Why Swearing Is Fun

Rebecca Roache on the Titillating Linguistic Taboos of Modern Life

By Rebecca Roache | November 27, 2023

Do You Believe in Magic? On The Timeless Charm of Children’s Books

Do You Believe in Magic? On The Timeless Charm of Children’s Books

Jane Mount Considers the Power of Literary Nostalgia in Creating Art

By Jane Mount | November 27, 2023

“The Status Quo is Not an Option...” John Vaillant on Our Climate Future

“The Status Quo is Not an Option...” John Vaillant on Our Climate Future

Alex Clark on the 2023 Winner of the Baillie Gifford Prize for Non-Fiction

By Alex Clark | November 22, 2023

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

K-Ming Chang On Pushing Every Sentence To Its Furthest Point

By The Maris Review | November 22, 2023

Dr. Jessica Kirzane on Translating Yiddish Literature

By History of Literature | November 22, 2023

Where is Mosab Abu Toha? A Poem from Gaza in 22 Languages

By Mosab Abu Toha | November 21, 2023

The History of the United States According to Colson Whitehead

The History of the United States According to Colson Whitehead

Alexander Manshel on the Historical Fiction Boom of Contemporary American Literature

By Alexander Manshel | November 21, 2023

“We Want to Make It Feel Like a Party.” On the Transformation of Southwest Review

“We Want to Make It Feel Like a Party.” On the Transformation of Southwest Review

A Lit Mag Embraces Colorful Design and Literary Translation

By Mark Haber | November 21, 2023

Naomi Alderman on Creating a Fictional Tech Dystopia

Naomi Alderman on Creating a Fictional Tech Dystopia

Jane Ciabattari Talks to the Author of The Future

By Jane Ciabattari | November 21, 2023

Christine Coulson on John Cheever and Dorothy Parker

Christine Coulson on John Cheever and Dorothy Parker

In Conversation with Catherine Nichols on the Lit Century Podcast

By Lit Century | November 21, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Michael Cunningham, Willa Cather, Claire Keegan, and More

By Book Marks | November 17, 2023

Beth Kephart on the Eternal Hope of Rare Books

Beth Kephart on the Eternal Hope of Rare Books

"We go to books for solace, and for proof, to begin again at the beginning."

By Beth Kephart | November 16, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“When Cunningham writes like himself, and not like an apostle, he is one of love’s greatest witnesses.”

By Book Marks | November 16, 2023

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    • The Terminator Is About the Last Moments In a Woman's Life Before She Becomes a MotherJanuary 28, 2026 by Olivia Rutigliano
    • From Romance to Thrillers to Horror—and Back AgainJanuary 28, 2026 by L. S. Stratton
    • Women in Espionage:
      A Reading List
      January 28, 2026 by Rhys Bowen
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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