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The Geology of Misery: What Philip Larkin and Ted Lasso (and Science) Tell Us About Trauma

The Geology of Misery: What Philip Larkin and Ted Lasso (and Science) Tell Us About Trauma

On Breaking the Cycle of Individual and Collective Dehumanization

By Catherine Buni | September 11, 2023

Taylor Byas on <em>The Wiz</em>, Pop Culture in Poetry, and Black Women's Histories

Taylor Byas on The Wiz, Pop Culture in Poetry, and Black Women's Histories

The Poet on Her New Collection I Done Clicked My Heels Three Times

By Literary Hub | September 11, 2023

Lang Leav on Fiction and Authenticity

Lang Leav on Fiction and Authenticity

In Conversation with Andrew Keen on Keen On

By Keen On | September 11, 2023

Maaheen Ahmed on the Dynamism of Comics

Maaheen Ahmed on the Dynamism of Comics

From The History of Literature Podcast with Jacke Wilson

By History of Literature | September 11, 2023

Jimin Han on Unconventional Points of View

Jimin Han on Unconventional Points of View

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 11, 2023

Sean Michaels on Collaborating with AI to Write a Novel

Sean Michaels on Collaborating with AI to Write a Novel

"What will we do with its work when it is good? How will we reckon then with what this tool can do?"

By Sean Michaels | September 8, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Em X. Liu on Putting Hamlet in a Sci-Fi Lab

By New Books Network | September 8, 2023

Kai Bird on Joining Martin Sherwin to Write Oppenheimer's Biography

By The Literary Life | September 8, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | September 8, 2023

Porochista Khakpour on the Unrelatable Brilliance of Alison Rose's <em>Better Than Sane</em>

Porochista Khakpour on the Unrelatable Brilliance of Alison Rose's Better Than Sane

"She isn’t interested in your ability to feel for her much less comprehend her."

By Porochista Khakpour | September 7, 2023

A New Era for Boarding School Literature

A New Era for Boarding School Literature

Emma Staffaroni on the End of a (Problematic) Fairy Tale

By Emma Staffaroni | September 7, 2023

Brendan Shay Basham on the Similarities Between the Chef Life and the Writing Life

Brendan Shay Basham on the Similarities Between the Chef Life and the Writing Life

"Processes are a series of moments in passing."

By Brendan Shay Basham | September 7, 2023

Acting Out a Life: How to Write Novels About Real People

Acting Out a Life: How to Write Novels About Real People

Gill Paul on the Craft of Historical Fiction and the Limits of Biography

By Gill Paul | September 7, 2023

Maurice Carlos Ruffin on the History of Powerful Black Women Challenging the Establishment

Maurice Carlos Ruffin on the History of Powerful Black Women Challenging the Establishment

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 7, 2023

Myriam Gurba on Writing the Visceral

Myriam Gurba on Writing the Visceral

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 7, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Andrea Long Chu on Zadie Smith, Jonathan Dee on Ariel Dorfman, James Wood on George Eliot, and More

By Book Marks | September 7, 2023

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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