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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
On Translation
Remembering the Great Manuel Puig, Cosmopolitan Chronicler of the Everyday
Suzanne Jill Levine on Knowing and Translating One of Latin America’s Finest 20th Century Writers
By
Suzanne Jill Levine
| June 30, 2025
The Blessing of a Hybrid Brain: On the Joy of Writing in Two Languages
Tatiana de Rosnay Unpacks the Lines Between Translating and Crafting Bilingually
By
Tatiana de Rosnay
| June 9, 2025
Spring Ulmer on Political Poetry, Personification, and Translating as Gardening
The Author of "Phantom Number: An Abecedarium for April" in Conversation with Poets.org
By
Literary Hub
| May 27, 2025
On Translating Your Own Novel *Back* Into Your Mother Tongue
Hannes Barnard and Andreas Roman Talk to Jessica Powers
By
Jessica Powers
| May 16, 2025
On the Latest Threat to Literary Culture’s Fragile Ecosystem: Donald Trump
Maris Kreizman Wonders What Can Be Done in the Face of Trump’s Devastating NEA Cuts?
By
Maris Kreizman
| May 8, 2025
Is Translating Your Own Writing Really “Translation”?
Sibila Petlevski: “I have no pretension to speak on behalf of nature, but rather I let the green of the leaves speak for me.”
By
Sibila Petlevski
| April 21, 2025
Best Reviewed
Books of the Week
The Future Will be Translated:
A Manifesto in Three Lies
By
Chloe Garcia Roberts
| April 16, 2025
The Second Life: On Translating Literature Into Farsi and Life into English
By
Moeen Farrokhi
| April 11, 2025
Catharsis, Harpies, Harmatia, and More: Natasha Pulley on Her Favorite Greek Words
By
Natasha Pulley
| March 19, 2025
Race Made Radioactive: How Yuko Tsushima Fused Multiracial Identity and Military Occupation
Lisa Hofmann-Kuroda on Translating the Nuclear Novel “Wildcat Dome”
By
Lisa Hofmann-Kuroda
| March 18, 2025
Invasions, Empires, Political Bromances: Five Nonfiction Books That Explain Modern Russia
Charles Hecker Recommends Joshua Yaffa, Svetlana Alexievich, David Remnick, and More
By
Charles Hecker
| March 4, 2025
On Being Mentored by a Chinese Woman Writer Who Lived a Thousand Years Ago
Wendy Chen Considers What Translating Li Qingzhao Taught Her About Her Own Work
By
Wendy Chen
| February 25, 2025
Antifascist, Feminist, Timeless: On Alba de Céspedes’s
There’s No Turning Back
Ann Goldstein: “Even if the world has changed, her characters’ struggles with becoming themselves continue to be familiar.”
By
Ann Goldstein
| February 13, 2025
Inside the Climate Techno-Dystopia of Michel Nieva’s
Dengue Boy
Rahul Bery on Translating a Stylistically Innovative Work of South American Science Fiction
By
Rahul Bery
| February 5, 2025
What South Asia’s Literary Classics Reveal About Its Linguistic and Cultural Diversity
Ranjit Hoskote on the Interplay Between Written, Oral and Corporal Expression in Indian Literature
By
Ranjit Hoskote
| January 31, 2025
Feeling in Farsi, Writing in English:
On Translating Your Life From One Language to Another
Sahar Delijani Navigates the Complexity of Conjuring Her Old Life in a New Language
By
Sahar Delijani
| January 14, 2025
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Remember when Celebrated Film Director Otto Preminger Played Mr. Freeze?
November 5, 2025
by
Olivia Rutigliano
Jaime Parker Stickle on Podcasts, Investigations, and Her Strange Journey to Writing a Thriller
November 5, 2025
by
Jaime Parker Stickle
Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's Fair
November 5, 2025
by
Emily Bain Murphy
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"