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How Much Editing Was Done to Emily Dickinson's Poems After She Died?

How Much Editing Was Done to Emily Dickinson's Poems After She Died?

The Poet's Earliest Advocates Might Have Been Guilty of Overreach

By Julie Dobrow | November 8, 2018

The Queering of Boundaries in Cristina Rivera Garza's Fiction

The Queering of Boundaries in Cristina Rivera Garza's Fiction

"I Will Always Be on the Side of Imprudent Novels"

By Veronica Esposito | November 8, 2018

The Polish Army Officer Who Conjured Proust in a Soviet Prison Camp

The Polish Army Officer Who Conjured Proust in a Soviet Prison Camp

On Józef Czapski's Wartime Lectures

By Eric Karpeles | November 7, 2018

Haiku: The Evolution of a Strict Poetic Game

Haiku: The Evolution of a Strict Poetic Game

From Bashō to Salinger and Everything in Between

By Hiroaki Sato | November 5, 2018

Literary Magazines Are Born to Die

Literary Magazines Are Born to Die

Five Defunct Journals We Should Not Forget

By Nick Ripatrazone | November 2, 2018

The Avid Reader: Sandra Cisneros on Elena Poniatowska

The Avid Reader: Sandra Cisneros on Elena Poniatowska

Having a Coffee with One of Mexico's Great Novelists

By Sandra Cisneros | November 1, 2018

Best Reviewed
Books of the Week

  • Ghost-Eye
  • Trash!: A Garbageman's Story
  • As If
  • Good Company
  • Radical Duke: How One Aristocrat-And the American Revolution-Transformed Britain
  • Monster of a Land: On the Road in Search of Modern America

The Zombies of Karl Marx: Horror in Capitalism's Wake

By Tyler Malone | October 31, 2018

How Much Did James Joyce Base "The Dead" on His Own Family?

By Colm Tóibín | October 30, 2018

Literary Hoax is the Most Underappreciated Genre

By J.W. McCormack | October 30, 2018

The Radical Moralist:  On Lionel Trilling's Literary Criticism

The Radical Moralist: On Lionel Trilling's Literary Criticism

Writing in the Cusp of the Victorian and Modern

By Adam Kirsch | October 30, 2018

Why Contemporary Art (and Literature) Needs More Sarcastic Critics

Why Contemporary Art (and Literature) Needs More Sarcastic Critics

César Aira Thinks We Could Use a Bit More "Whatever" in Art

By César Aira | October 29, 2018

In Gratitude for the Fierce Women of the World

In Gratitude for the Fierce Women of the World

Laird Hunt on the Women at the Center of His Novels

By Laird Hunt | October 29, 2018

The Year I Stopped Reading White People

The Year I Stopped Reading White People

Jerome Blanco on the Power of Writing What You Know

By Jerome Blanco | October 24, 2018

The Psychiatrist Who Tried To Save Sylvia Plath

The Psychiatrist Who Tried To Save Sylvia Plath

Paul Alexander on the Real "Doctor Nolan"

By Paul Alexander | October 23, 2018

The Vulnerable Private Writings of Ernest Hemingway

The Vulnerable Private Writings of Ernest Hemingway

Sandra Spanier Considers the Archive of an Icon

By Sandra Spanier | October 23, 2018

Amy Bloom on the Legacy of Thom Jones

Amy Bloom on the Legacy of Thom Jones

In Praise of Razor-Edged, Moving Fiction

By Amy Bloom | October 18, 2018

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    • Ghost-Eye
    • The Best Reviewed Books of the Week
    • "Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"
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