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When a Reader Figures Out What Your Book is <em>Actually</em> About

When a Reader Figures Out What Your Book is Actually About

Marcia Butler on Coming to Terms with Her Lifelong Dream Coming True

By Marcia Butler | April 10, 2019

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Channel Obama. Perform. Drink if You Must.

By Viet Thanh Nguyen | April 9, 2019

Even My Imaginary Male Muses<br> Don't Measure Up

Even My Imaginary Male Muses
Don't Measure Up

Jen Mediano Can't Help But Be a Little Disappointed

By Jen Mediano | April 9, 2019

The Best Argument is a Good Book: Writing Advice from Saul Bellow

The Best Argument is a Good Book: Writing Advice from Saul Bellow

"There is such a thing as overcapitalizing the A in artist."

By Emily Temple | April 5, 2019

What John Hughes Taught Me About<br> the Importance of a Name

What John Hughes Taught Me About
the Importance of a Name

Sloane Tanen on the Lessons of Sloane Peterson

By Sloane Tanen | April 4, 2019

Unsilencing the Writing Workshop

Unsilencing the Writing Workshop

Students Might Learn More and Hate it Less if They Talk About Their Own Work

By Beth Nguyen | April 3, 2019

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Jenni Fagan: "If a Poem Wants Written at 3 am I Get Up."

By Jenni Fagan | April 3, 2019

Why, Exactly, Do We Have Subtitles on Books?

By Mary Laura Philpott | April 2, 2019

Why Don't More Writers Become
Public School Teachers?

By Belle Boggs | April 2, 2019

How to Cuss Like No One's Listening

How to Cuss Like No One's Listening

Katherine Dunn on the Importance of Specificity in Swearing

By Katherine Dunn | April 1, 2019

Working Mothers, Let Go of Your Guilt

Working Mothers, Let Go of Your Guilt

Polly Rosenwaike on Motherhood, a Job Like Any Other

By Polly Rosenwaike | April 1, 2019

An Afternoon at María Gainza's<br> Buenos Aires Home

An Afternoon at María Gainza's
Buenos Aires Home

Talking About Art, Criticism, and Autofiction

By Nathan Scott McNamara | March 31, 2019

5 Reasons a Writer Should <br>Move to London

5 Reasons a Writer Should
Move to London

No, Not the Small City in Southern Ontario

By Christine Ro | March 29, 2019

Maybe Becoming a Poet Just for the Praise Was Not a Good Move

Maybe Becoming a Poet Just for the Praise Was Not a Good Move

Jessie Gaynor on the Perpetual Allure (and Trap) of Validation

By Jessie Gaynor | March 27, 2019

On the Daily Rituals of Joan Didion, Patti Smith, and More

On the Daily Rituals of Joan Didion, Patti Smith, and More

Women Artists on What Gets Them Through

By Mason Currey | March 27, 2019

In Praise of the 'How To' Creativity Workbook

In Praise of the 'How To' Creativity Workbook

Creativity Can, In Fact, Be Taught

By Evan James | March 27, 2019

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Page 290 of 350
    • Sara Z. Carson on Cults and Writing a Novel Inspired by the Horrors of JonestownSeptember 24, 2026 by Sara Z. Carson
    • 10 Books Where the Main Character Is, or May Be, a PsychopathSeptember 24, 2026 by Hank Schwaeble
    • Megan Mostyn-Brown on Grounding Fictional Horror in Real ScienceSeptember 24, 2026 by Megan Mostyn-Brown
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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