Literary Hub » Craft and Advice

Walter Mosley: “A Novel is Not a Machine”

Walter Mosley: “A Novel is Not a Machine”

On the Pleasure of Encountering Something New

By Walter Mosley | June 26, 2026

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

In Conversation with Peter Mishler

By Peter Mishler | June 26, 2026

Save It for Your Novel: The Difference in Writing for the Screen Versus the Page

Save It for Your Novel: The Difference in Writing for the Screen Versus the Page

Spiro Skentzos in Conversation with Rasheed Newson

By Spiro Skentzos | June 25, 2026

Jessica M. Goldstein on the Inherent Optimism of Time Travel

Jessica M. Goldstein on the Inherent Optimism of Time Travel

“Time travel contends that we matter to each other whether we want to or not, whether we believe it or not.”

By Jessica M. Goldstein | June 24, 2026

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

Krista Diamond on What She Learned From the East Coast Writer’s California Sojourn

By Krista Diamond | June 23, 2026

Feeling Creatively Stuck? Try Following the Routines of Other Types of Artists

Feeling Creatively Stuck? Try Following the Routines of Other Types of Artists

Aigner Loren Wilson on Finding Unexpected Ways Out of Your Ruts

By Aigner Loren Wilson | June 22, 2026

Best Reviewed
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Sorry, Chicago Manual of Style: I’m Not Going to Stop Capitalizing the Word “Earth”

By Meg Charlton | June 22, 2026

How Do You Create Surprise When Your Story’s Ending Is Inevitable?

By Ayşe Papatya Bucak | June 22, 2026

My Newly Successful Friend Won’t Stop Namedropping: Is She the Literary Asshole?

By Kristen Arnett | June 18, 2026

Follow Awe: Deb Olin Unferth on Writing Speculative Fiction

Follow Awe: Deb Olin Unferth on Writing Speculative Fiction

“Eco-fiction feels to me like the most important thing I could be writing right now.”

By Deb Olin Unferth | June 18, 2026

How to Write a Novel in 33 Days

How to Write a Novel in 33 Days

Catriona Silvey on Turning an Inspiration-Fueled First Draft Into a Coherent Novel

By Catriona Silvey | June 18, 2026

Beyond Cli-Fi: Why Every Story is a Climate Change Story

Beyond Cli-Fi: Why Every Story is a Climate Change Story

Heather Abel on Reading and Writing Through the Lens of Climate Emergency

By Heather Abel | June 18, 2026

Chantel Acevedo on Reimagining Her Father Through Fiction

Chantel Acevedo on Reimagining Her Father Through Fiction

“I think there’s some value in the kind of understanding fiction offers, whereby anything is possible.”

By Chantel Acevedo | June 18, 2026

A Poem For Bad Dads: Annakeara Stinson on <em>The Cremation of Sam McGee</em>

A Poem For Bad Dads: Annakeara Stinson on The Cremation of Sam McGee

“He haunts us, but sometimes, playfully, surprisingly—and in this way, even in death, like McGee, he returns.”

By Annakeara Stinson | June 17, 2026

Karen Solie on Tomas Tranströmer's <em>Selected Poems</em>

Karen Solie on Tomas Tranströmer's Selected Poems

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | June 17, 2026

There’s No Such Thing as a Bad Wedding: On Finding Inspiration in Someone Else’s Nuptials

There’s No Such Thing as a Bad Wedding: On Finding Inspiration in Someone Else’s Nuptials

“The most wonderful thing about attending someone else’s wedding is that it’s not my own.”

By Bobby Finger | June 16, 2026

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