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  • Craft and Criticism
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WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

Hosted by Greenlight Bookstore

By The Virtual Book Channel | March 17, 2022

Terese Marie Mailhot on What Book Royalties Can’t Buy

Terese Marie Mailhot on What Book Royalties Can’t Buy

“Money doesn’t bring people back, but I thought it could keep some people here.”

By Terese Marie Mailhot | March 16, 2022

The Rich and Secret Life of a Writer of Reading Guides

The Rich and Secret Life of a Writer of Reading Guides

Je Banach on the Value of an Unheralded Genre

By Je Banach | March 16, 2022

Susan Orlean Is a Really Serious Chicken Lady

Susan Orlean Is a Really Serious Chicken Lady

This Week on Beyond the Page: The Best of the Sun Valley Writers‘ Conference

By Sun Valley Writers' Conference | March 16, 2022

Danté Stewart Reads From <em>Shoutin’ In The Fire: An American Epistle</em>

Danté Stewart Reads From Shoutin’ In The Fire: An American Epistle

On Storybound, Our Radio-Theater Podcast

By Storybound | March 16, 2022

From Matt Bell, here's what a successful academic cover letter for creative writers looks like.

From Matt Bell, here's what a successful academic cover letter for creative writers looks like.

By Corinne Segal | March 15, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Rare Thoughts on Writing From Cormac McCarthy in This Unlikely Interview

By Murray Carpenter | March 15, 2022

How Twilight Zone and a Japanese Art Installation Inspired Sequoia Nagamatsu's Novel

By So Many Damn Books | March 15, 2022

How a Secret Becomes a Story: Melissa Fu on the Importance of Listening to Elders

By Melissa Fu | March 15, 2022

My Lessons From a Crash Course in Ghostwriting

My Lessons From a Crash Course in Ghostwriting

Lauren Kate on How She Got a Degree in Pseudonyms

By Lauren Kate | March 14, 2022

Making Space for Mistakes and Experiments, in Marriage and Writing

Making Space for Mistakes and Experiments, in Marriage and Writing

Francesco Pacifico on Writing (and Revising) Female Characters

By Francesco Pacifico | March 14, 2022

The Impossibility of Writing About Motherhood

The Impossibility of Writing About Motherhood

Sarah Blake on Motherhood's Many Faces

By Sarah Blake | March 14, 2022

Finding the Kinship Between Manifestations of Creativity and Depression

Finding the Kinship Between Manifestations of Creativity and Depression

Gia de Cadenet on Making Sense of the Raw Material

By Gia de Cadenet | March 14, 2022

Lan Samantha Chang on Teaching, Tone, and Literary Generations

Lan Samantha Chang on Teaching, Tone, and Literary Generations

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 14, 2022

Edith Wharton on How to Write a Vivid First Line

Edith Wharton on How to Write a Vivid First Line

"[It] should be something more than a trick."

By Edith Wharton | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

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Page 138 of 259
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    • American Crime: The True Story of a Stalking in KansasDecember 1, 2025 by Corey Mead
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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