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How Truman Capote Was Destroyed by His Own Masterpiece

How Truman Capote Was Destroyed by His Own Masterpiece

Inside a New Volume Reproducing the Original Manuscript
of In Cold Blood

By Ebs Burnough | July 10, 2023

Ruth Madievsky on Burying Her Darlings in a Cemetery of Bangers

Ruth Madievsky on Burying Her Darlings in a Cemetery of Bangers

“My stylish one-liners were a crutch I used to get out of the more difficult decisions a novel requires.”

By Ruth Madievsky | July 10, 2023

Beyond Tropes: On Writing Straight Characters While Queer

Beyond Tropes: On Writing Straight Characters While Queer

Molly Dektar Explores the Art of Crafting an Ambiguous Narrative

By Molly Dektar | July 10, 2023

Oliver de la Paz on Absences and Using the Form of the Sonnet to Capture Life in a Diaspora

Oliver de la Paz on Absences and Using the Form of the Sonnet to Capture Life in a Diaspora

The Poet on His New Collection The Diaspora Sonnets

By Literary Hub | July 10, 2023

Therapeutic and Cathartic: On Self-Soothing With Satire

Therapeutic and Cathartic: On Self-Soothing With Satire

Christine Grillo Considers the Healing Potential of Political Humor

By Christine Grillo | July 10, 2023

Exploring Literary Dublin with Christopher Morash

Exploring Literary Dublin with Christopher Morash

From The History of Literature Podcast with Jacke Wilson

By History of Literature | July 10, 2023

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Yasmin Azad on Coming-of-Age Stories

By Memoir Nation | July 10, 2023

Elizabeth Graver on Making a Novel Out of Life

By First Draft: A Dialogue on Writing | July 10, 2023

Ali Bryan on Finding Community, Authenticity, and Acceptance in a Small Town

By Ali Bryan | July 7, 2023

How Nonfiction Writing and Documentary Filmmaking Curate the Truth

How Nonfiction Writing and Documentary Filmmaking Curate the Truth

Chachi D. Hauser on Constructed Realities in Literature and Film

By Chachi D. Hauser | July 7, 2023

Poet Sara Deniz Akant Talks Uncertainty, Turkish Identity, and Embracing Cringe

Poet Sara Deniz Akant Talks Uncertainty, Turkish Identity, and Embracing Cringe

Peter Mishler Talks to the Author of Hyperphantasia

By Peter Mishler | July 7, 2023

Karen Lord on Sharing Realities Between Humans, Other Species, and Aliens

Karen Lord on Sharing Realities Between Humans, Other Species, and Aliens

In Conversation with Rob Wolf on the New Books Network

By New Books Network | July 7, 2023

Creating Safe Spaces: On Writing Queer Romance

Creating Safe Spaces: On Writing Queer Romance

Laura Kay Explores the Joy of Representation in Escapism

By Laura Kay | July 6, 2023

From Music to Fiction: How Artistic Callings Shift Across Generations

From Music to Fiction: How Artistic Callings Shift Across Generations

Keziah Weir on Finding Her Literary Voice Through Her Parents' Musical Talent

By Keziah Weir | July 6, 2023

Sarah Viren on Examining the Self in Both the Past and the Present

Sarah Viren on Examining the Self in Both the Past and the Present

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | July 6, 2023

Adrienne Brodeur on Using Summer 2016 as a Setting for <em>Little Monsters</em>

Adrienne Brodeur on Using Summer 2016 as a Setting for Little Monsters

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 5, 2023

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Page 113 of 342
    • On the Healing Power of a Really Good GrudgeJune 4, 2026 by Michael Gonzales
    • 6 Twisty Suspense Novels That Go Down the Rabbit HoleJune 4, 2026 by Erica Hendry
    • Clive Cussler and the Art of the ThrillerJune 4, 2026 by Graham Brown
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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