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Craft and Advice
WATCH: Billy-Ray Belcourt Discusses His Debut Novel,
A Minor Chorus
Hosted by Greenlight Bookstore
By
The Virtual Book Channel
| October 27, 2022
Ingrid Rojas Contreras on What’s Gained by Losing Language
From
Micro
, a Podcast for Short But Powerful Writing
By
Micro Podcast
| October 27, 2022
On the Ethics of Writing About Social Issues (While Minimizing Harm)
Kavita Das Lists Some Key Questions to Ask
By
Kavita Das
| October 27, 2022
The Annotated Nightstand: What Ross Gay is Reading Now and Next
A Series by Diana Arterian
By
Diana Arterian
| October 27, 2022
“Before the Words Became Pages, We Were Eating.” Why Kay Ulanday Barrett’s Best Poems Are About Food
In Conversation with Jordan Kisner on
Thresholds
By
Thresholds
| October 26, 2022
Emily Flitter on What She Learned From a Source’s Silence
“The book itself didn’t matter. The act of listening to the stories I was hearing and responding with care and concern did.”
By
Emily Flitter
| October 26, 2022
Best Reviewed
Books of the Week
“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty
By
Otherppl with Brad Listi
| October 26, 2022
How My Novel Disappeared—And Why it Came Back
By
Lucy Ferriss
| October 26, 2022
Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere
By
Twitterverse
| October 25, 2022
In Service of the Avant Garde: On the Unlikely Success
of Siglio Press
Elissa Schappell Talks to Independent Publisher Lisa Pearson
By
Elissa Schappell
| October 25, 2022
Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night
And Why There’s No Point in Trying to Organize a Bookshelf
By
Literary Hub
| October 25, 2022
The Pains and Pleasures of Taking Decades to Write a Book
Devoney Looser on Researching Early Historical Novelists Jane and Anna Maria Porter
By
Devoney Looser
| October 25, 2022
Manuel Muñoz on Writing Through Uncertainty
Jane Ciabattari Talks to the Author of
The Consequences
By
Jane Ciabattari
| October 25, 2022
Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves
Sara Martin Considers the Sobriety Narrative and the Pitfalls of Fixed Identities
By
Sara Martin
| October 25, 2022
Erika T. Wurth on Writing Horror as a Former Dorky Kid
From
Micro
, a Podcast for Short But Powerful Writing
By
Micro Podcast
| October 25, 2022
When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny
Christine Wells in Conversation with Andrew Keen on
Keen On
By
Keen On
| October 25, 2022
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The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)
February 4, 2026
by
Marisa Walz
Sherlock Holmes and Me—Together Again
February 4, 2026
by
Jeffrey Siger
Isabelle Schuler on the Horrors and Contrasts of the 17th Century
February 4, 2026
by
Isabelle Schuler
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"