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Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | October 25, 2022

In Service of the Avant Garde: On the Unlikely Success<br> of Siglio Press

In Service of the Avant Garde: On the Unlikely Success
of Siglio Press

Elissa Schappell Talks to Independent Publisher Lisa Pearson

By Elissa Schappell | October 25, 2022

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

And Why There’s No Point in Trying to Organize a Bookshelf

By Literary Hub | October 25, 2022

The Pains and Pleasures of Taking Decades to Write a Book

The Pains and Pleasures of Taking Decades to Write a Book

Devoney Looser on Researching Early Historical Novelists Jane and Anna Maria Porter

By Devoney Looser | October 25, 2022

Manuel Muñoz on Writing Through Uncertainty

Manuel Muñoz on Writing Through Uncertainty

Jane Ciabattari Talks to the Author of The Consequences

By Jane Ciabattari | October 25, 2022

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Sara Martin Considers the Sobriety Narrative and the Pitfalls of Fixed Identities

By Sara Martin | October 25, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Erika T. Wurth on Writing Horror as a Former Dorky Kid

By Micro Podcast | October 25, 2022

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

By Keen On | October 25, 2022

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

By Keen On | October 25, 2022

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 24, 2022

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Mary Karr on Navigating Memory While Writing Memoir

Mary Karr on Navigating Memory While Writing Memoir

“A single image can split open the hard seed of the past.”

By Mary Karr | October 21, 2022

Playing with Fear: How Oracle Cards Taught Me To Ask More Honest Questions

Playing with Fear: How Oracle Cards Taught Me To Ask More Honest Questions

Rita Zoey Chin on a Lifetime of Chasing the Unanswerable

By Rita Zoey Chin | October 21, 2022

George Saunders on Experiencing the Limits of Your Own Power

George Saunders on Experiencing the Limits of Your Own Power

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 20, 2022

The Space Between Notes: What Writers Can Learn From Musicians

The Space Between Notes: What Writers Can Learn From Musicians

Daniel Torday on Writing Towards Resolution, and Everything in Between

By Daniel Torday | October 20, 2022

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    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
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    • 5 Novels with Perfectly Unsympathetic ProtagonistsJanuary 29, 2026 by Sophie Hannah
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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