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WATCH: Billy-Ray Belcourt Discusses His Debut Novel, <em>A Minor Chorus</em>

WATCH: Billy-Ray Belcourt Discusses His Debut Novel, A Minor Chorus

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 27, 2022

Ingrid Rojas Contreras on What’s Gained by Losing Language

Ingrid Rojas Contreras on What’s Gained by Losing Language

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 27, 2022

On the Ethics of Writing About Social Issues (While Minimizing Harm)

On the Ethics of Writing About Social Issues (While Minimizing Harm)

Kavita Das Lists Some Key Questions to Ask

By Kavita Das | October 27, 2022

The Annotated Nightstand: What Ross Gay is Reading Now and Next

The Annotated Nightstand: What Ross Gay is Reading Now and Next

A Series by Diana Arterian

By Diana Arterian | October 27, 2022

“Before the Words Became Pages, We Were Eating.” Why Kay Ulanday Barrett’s Best Poems Are About Food

“Before the Words Became Pages, We Were Eating.” Why Kay Ulanday Barrett’s Best Poems Are About Food

In Conversation with Jordan Kisner on Thresholds

By Thresholds | October 26, 2022

Emily Flitter on What She Learned From a Source’s Silence

Emily Flitter on What She Learned From a Source’s Silence

“The book itself didn’t matter. The act of listening to the stories I was hearing and responding with care and concern did.”

By Emily Flitter | October 26, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

By Otherppl with Brad Listi | October 26, 2022

How My Novel Disappeared—And Why it Came Back

By Lucy Ferriss | October 26, 2022

Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

By Twitterverse | October 25, 2022

In Service of the Avant Garde: On the Unlikely Success<br> of Siglio Press

In Service of the Avant Garde: On the Unlikely Success
of Siglio Press

Elissa Schappell Talks to Independent Publisher Lisa Pearson

By Elissa Schappell | October 25, 2022

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

And Why There’s No Point in Trying to Organize a Bookshelf

By Literary Hub | October 25, 2022

The Pains and Pleasures of Taking Decades to Write a Book

The Pains and Pleasures of Taking Decades to Write a Book

Devoney Looser on Researching Early Historical Novelists Jane and Anna Maria Porter

By Devoney Looser | October 25, 2022

Manuel Muñoz on Writing Through Uncertainty

Manuel Muñoz on Writing Through Uncertainty

Jane Ciabattari Talks to the Author of The Consequences

By Jane Ciabattari | October 25, 2022

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Sara Martin Considers the Sobriety Narrative and the Pitfalls of Fixed Identities

By Sara Martin | October 25, 2022

Erika T. Wurth on Writing Horror as a Former Dorky Kid

Erika T. Wurth on Writing Horror as a Former Dorky Kid

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 25, 2022

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

Christine Wells in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

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Page 113 of 263
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • Sherlock Holmes and Me—Together AgainFebruary 4, 2026 by Jeffrey Siger
    • Isabelle Schuler on the Horrors and Contrasts of the 17th CenturyFebruary 4, 2026 by Isabelle Schuler
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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