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Isabella Hammad: The Idea of Apolitical Art is Very Political

Isabella Hammad: The Idea of Apolitical Art is Very Political

The Author of Enter Ghost in Conversation With Olivia Watson

By Olivia Watson | June 26, 2023

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 26, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

Michelle Brafman on Love Addiction as Fuel for Plot

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 26, 2023

Jessie Gaynor on Finding the <em>Why</em>

Jessie Gaynor on Finding the Why

“A love of the micro need not preclude attention to the macro.”

By Jessie Gaynor | June 23, 2023

What Vera Mutafchieva’s <em>The Case of Cem</em> Tells Us About Europe’s Past and Present

What Vera Mutafchieva’s The Case of Cem Tells Us About Europe’s Past and Present

Angela Rodel on Translating a 20th-Century Bulgarian Classic

By Angela Rodel | June 23, 2023

Winnie Li on Finding That Elusive Thing: A Perfect Writing Space

Winnie Li on Finding That Elusive Thing: A Perfect Writing Space

The Author of Complicit Reflects on the Cozy Writerly Dream, Motherhood, and Making Peace with a Messier Reality

By Winnie M. Li | June 23, 2023

Best Reviewed
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Jacinda Townsend on Why Democrats Are Skeptical of President Biden—and How He Can Win Them Back

By Fiction Non Fiction | June 22, 2023

Keziah Weir on the Women Behind Great Literary Men and Guessing Other People’s Intentions

By The Maris Review | June 22, 2023

Matt Mitchell on Writing Love Poems for Himself and For Others

By Hanif Abdurraqib | June 22, 2023

How Audrey Clare Farley Rewrote the Story of the Genain Quadruplets

How Audrey Clare Farley Rewrote the Story of the Genain Quadruplets

The Author of Girls and Their Monsters On the Oft-Exploited History of the Morlok Sisters

By Audrey Clare Farley | June 22, 2023

How Taylor Swift Saved My Writing

How Taylor Swift Saved My Writing

Ethan Joella on Finding Confidence as a Writer By Listening to Pop Music

By Ethan Joella | June 21, 2023

N.D. Jones on Leveraging Your “Why”

N.D. Jones on Leveraging Your “Why”

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 21, 2023

Lorrie Moore: Writing’s Natural Place is As a Passionate Side Hustle

Lorrie Moore: Writing’s Natural Place is As a Passionate Side Hustle

The Author of I Am Homeless If This Is Not My Home Takes the Lit Hub Questionnaire

By Literary Hub | June 20, 2023

What to Do If Your House is Overflowing with Books

What to Do If Your House is Overflowing with Books

Emily Grosvenor Offers Some Interior Design Tips for the Struggling Bibliophile

By Emily Grosvenor | June 20, 2023

How to Think Like a Costume Designer When Writing Historical Fiction

How to Think Like a Costume Designer When Writing Historical Fiction

Claudia Cravens on What Clothes Tell Us About Character

By Claudia Cravens | June 20, 2023

Writers Don’t Need to Suffer To Make Art

Writers Don’t Need to Suffer To Make Art

Haley Jakobson: “Being a tormented artist is v. cringe.”

By Haley Jakobson | June 20, 2023

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    • The Killer Is in the Building: The Beauty of a Locked Room MysteryMarch 18, 2026 by Susan Walter
    • In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir
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    • "Moves back and forth through time as Junod tries to untangle his father s convoluted…"
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