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Craft and Advice
The Illicit, Bittersweet Pleasure of Empty Bookshelves
Julie Langsdorf on Clearing House
By
Julie Langsdorf
| March 25, 2019
Richard Blanco: 'I Don't Subscribe to the Notion of Writer's Block'
On Growing Up in Miami and Overcoming the Fear of Poetry
By
Richard Blanco
| March 25, 2019
Against Catharsis: Writing is Not Therapy
T Kira Madden Wants You to See the Wires
By
T Kira Madden
| March 22, 2019
How I Learned To Write Dialogue By Reviewing Police Complaints
K Chess on the Heightened Listening of Transcription
By
K Chess
| March 22, 2019
Writing Sex for Money is Hard F*cking Work
Sandra Newman on the Things Writers Will Do for Money
By
Sandra Newman
| March 21, 2019
What Lynne Tillman Thinks About While Making Tea in the Morning
Breast Exams, Harry Mathews, and Maybe (Just Maybe) the Lines of a Story
By
Lynne Tillman
| March 21, 2019
Best Reviewed
Books of the Week
Not All Writers Can Afford Rooms of Their Own
By
Asja Bakić
| March 21, 2019
Writing Poetry to Find a Father Worth Grieving
By
Edgar Kunz
| March 20, 2019
Andrea Dworkin’s Argument Against Punctuation
By
Andrea Dworkin
| March 20, 2019
"Go With What's Alive" and Other Writing Advice from Philip Roth
"Writing isn’t hard work, it’s a nightmare."
By
Emily Temple
| March 19, 2019
The People Writer-Parents Need (Besides Their Kids)
Brian Gresko and Polly Rosenwaike Talk Writing and Parenting
By
Brian Gresko
| March 18, 2019
Why Salt Lake City is a Great Place for a Writer to Live
Artist Collectives, Festivals, and a Honest-to-Goodness Subculture
By
Paisley Rekdal
| March 15, 2019
What Trauma Leaves Behind
A Conversation with Carley Moore, Lynn Melnick, and
Mattilda Bernstein Sycamore
By
Carley Moore
| March 15, 2019
Why My Students Don't Call Themselves 'Southern' Writers
On Reckoning With a Fraught Literary History
By
Katy Simpson Smith
| March 13, 2019
The Impossibility of Finding a Place to Write in New York
“How do you get any work done here?”
By
Andrew Ridker
| March 13, 2019
Writing My Novel Turned into Cooking Boot Camp
Butter, Cheese, and a Race to Create the Perfect Popover
By
Mary Adkins
| March 13, 2019
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Page 279 of 338
“Profit is the Only Principle”: How 'Point Blank' Presaged Our Current Moment
April 23, 2026
by
Greg Wands
What to Watch Now, International Edition: The Two Prosecutors (2025)
April 23, 2026
by
Radha Vatsal
6 Thrillers That Sit with Discomfort and Ethical Ambiguities
April 23, 2026
by
Michael Cowan
The Best Reviewed Books of the Week
"A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"