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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
From Matt Bell, here's what a successful academic cover letter for creative writers looks like.
By
Corinne Segal
| March 15, 2022
Rare Thoughts on Writing From Cormac McCarthy in This Unlikely Interview
It Only Took Two Arizona High School Students to Get Answers From the Legendarily Reclusive Author
By
Murray Carpenter
| March 15, 2022
How
Twilight Zone
and a Japanese Art Installation Inspired Sequoia Nagamatsu's Novel
In Conversation with Christopher Hermelin on
So Many Damn Books
By
So Many Damn Books
| March 15, 2022
How a Secret Becomes a Story: Melissa Fu on the Importance of Listening to Elders
“There was a sense I had to write this story now. A sense that time was running out.”
By
Melissa Fu
| March 15, 2022
My Lessons From a Crash Course in Ghostwriting
Lauren Kate on How She Got a Degree in Pseudonyms
By
Lauren Kate
| March 14, 2022
Making Space for Mistakes and Experiments, in Marriage and Writing
Francesco Pacifico on Writing (and Revising) Female Characters
By
Francesco Pacifico
| March 14, 2022
Best Reviewed
Books of the Week
The Impossibility of Writing About Motherhood
By
Sarah Blake
| March 14, 2022
Finding the Kinship Between Manifestations of Creativity and Depression
By
Gia de Cadenet
| March 14, 2022
Lan Samantha Chang on Teaching, Tone, and Literary Generations
By
First Draft: A Dialogue on Writing
| March 14, 2022
Edith Wharton on How to Write a Vivid First Line
"[It] should be something more than a trick."
By
Edith Wharton
| March 11, 2022
Austin Kleon Looks Back on the Creation of
Steal Like an Artist
, Ten Years Later
When the What-Ifs Become Real
By
Austin Kleon
| March 11, 2022
Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity
In Conversation with Rob Wolf on the
New Books Network
By
New Books Network
| March 11, 2022
Tom Sleigh on Translating War Zone Experiences into Poetry
This Week from
The Common
Podcast
By
The Common
| March 11, 2022
Alejandro Zambra on Writing Two Books in One
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| March 10, 2022
How an Argument Over
The Hobbit
Inspired Marlon James’s Dark Star Trilogy
This Week on the
Book Dreams
Podcast
By
Book Dreams
| March 10, 2022
John Keene on Punks, Elegies, and the Heroics of Survival
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| March 10, 2022
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Page 137 of 258
Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.
November 11, 2025
by
Eli Frankel
David Baldacci on Pushing Your Characters Into the Unknown
November 11, 2025
by
David Baldacci
Eric Heisserer on Filmmaking, Reincarnation, and Writing His First Novel
November 11, 2025
by
Alex Dueben
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"