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From Matt Bell, here's what a successful academic cover letter for creative writers looks like.

From Matt Bell, here's what a successful academic cover letter for creative writers looks like.

By Corinne Segal | March 15, 2022

Rare Thoughts on Writing From Cormac McCarthy in This Unlikely Interview

Rare Thoughts on Writing From Cormac McCarthy in This Unlikely Interview

It Only Took Two Arizona High School Students to Get Answers From the Legendarily Reclusive Author

By Murray Carpenter | March 15, 2022

How <em>Twilight Zone</em> and a Japanese Art Installation Inspired Sequoia Nagamatsu's Novel

How Twilight Zone and a Japanese Art Installation Inspired Sequoia Nagamatsu's Novel

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | March 15, 2022

How a Secret Becomes a Story: Melissa Fu on the Importance of Listening to Elders

How a Secret Becomes a Story: Melissa Fu on the Importance of Listening to Elders

“There was a sense I had to write this story now. A sense that time was running out.”

By Melissa Fu | March 15, 2022

My Lessons From a Crash Course in Ghostwriting

My Lessons From a Crash Course in Ghostwriting

Lauren Kate on How She Got a Degree in Pseudonyms

By Lauren Kate | March 14, 2022

Making Space for Mistakes and Experiments, in Marriage and Writing

Making Space for Mistakes and Experiments, in Marriage and Writing

Francesco Pacifico on Writing (and Revising) Female Characters

By Francesco Pacifico | March 14, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

The Impossibility of Writing About Motherhood

By Sarah Blake | March 14, 2022

Finding the Kinship Between Manifestations of Creativity and Depression

By Gia de Cadenet | March 14, 2022

Lan Samantha Chang on Teaching, Tone, and Literary Generations

By First Draft: A Dialogue on Writing | March 14, 2022

Edith Wharton on How to Write a Vivid First Line

Edith Wharton on How to Write a Vivid First Line

"[It] should be something more than a trick."

By Edith Wharton | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

In Conversation with Rob Wolf on the New Books Network

By New Books Network | March 11, 2022

Tom Sleigh on Translating War Zone Experiences into Poetry

Tom Sleigh on Translating War Zone Experiences into Poetry

This Week from The Common Podcast

By The Common | March 11, 2022

Alejandro Zambra on Writing Two Books in One

Alejandro Zambra on Writing Two Books in One

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 10, 2022

How an Argument Over <em>The Hobbit</em> Inspired Marlon James’s Dark Star Trilogy

How an Argument Over The Hobbit Inspired Marlon James’s Dark Star Trilogy

This Week on the Book Dreams Podcast

By Book Dreams | March 10, 2022

John Keene on Punks, Elegies, and the Heroics of Survival

John Keene on Punks, Elegies, and the Heroics of Survival

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2022

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Page 137 of 258
    • Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.November 11, 2025 by Eli Frankel
    • David Baldacci on Pushing Your Characters Into the UnknownNovember 11, 2025 by David Baldacci
    • Eric Heisserer on Filmmaking, Reincarnation, and Writing His First NovelNovember 11, 2025 by Alex Dueben
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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