Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Become A Member
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
Reading Challenge
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Reading Challenge
Book Marks
CrimeReads
Log In
Craft and Advice
On Editing Oliver Sacks After
He Was Gone
How the Author of 13 Books Never Stopped Loving the Publishing Process
By
Bill Hayes
| April 23, 2019
The Failures of a Wunderkind:
On Rejection and Persistence
Michael Croley is Just Fine with Publishing a Book at 41
By
Michael Croley
| April 23, 2019
Ian McEwan on Bach, Philip Roth and Living an Episodic Life
"All creative acts demand a fruitful pause at certain points."
By
Literary Hub
| April 23, 2019
Jane Alison on Raymond Carver
and Tobias Wolff
Two Close Readings: Wavelets
By
Jane Alison
| April 18, 2019
Writing Fiction About Fact: Using Historical Figures As Characters
On Michael Cunningham, George Saunders, and Other 'Literary Grave-Robbers'
By
Steven Rowley
| April 18, 2019
Revising My Novel Unearthed
a #MeToo Story
Rachel Cline Writes Her Way Back to the Truth
By
Rachel Cline
| April 18, 2019
Best Reviewed
Books of the Week
Cecelia Ahern on How She Writes
a Novel a Year
By
Cecelia Ahern
| April 16, 2019
Prepping for MFA Programs as
a Person of Color
By
Hebah Uddin
| April 15, 2019
How What I've Learned as an Actor Can Apply to Storytelling
By
Brett Paesel
| April 12, 2019
When a First-Person Narrator Sneaks Into Your Story
Jennifer duBois on the Emergent 'I'
By
Jennifer duBois
| April 11, 2019
When a Reader Figures Out What Your Book is
Actually
About
Marcia Butler on Coming to Terms with Her Lifelong Dream Coming True
By
Marcia Butler
| April 10, 2019
Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading
Channel Obama. Perform. Drink if You Must.
By
Viet Thanh Nguyen
| April 9, 2019
Even My Imaginary Male Muses
Don't Measure Up
Jen Mediano Can't Help But Be a Little Disappointed
By
Jen Mediano
| April 9, 2019
The Best Argument is a Good Book: Writing Advice from Saul Bellow
"There is such a thing as overcapitalizing the A in artist."
By
Emily Temple
| April 5, 2019
What John Hughes Taught Me About
the Importance of a Name
Sloane Tanen on the Lessons of Sloane Peterson
By
Sloane Tanen
| April 4, 2019
Unsilencing the Writing Workshop
Students Might Learn More and Hate it Less if They Talk About Their Own Work
By
Beth Nguyen
| April 3, 2019
« First
‹ Previous
284
285
286
287
288
289
290
291
292
Next ›
Last »
Page 288 of 349
Carrie Talick on Mashing Up Genres and Injecting Comedy into Murder Mysteries
September 8, 2026
by
Carrie Talick
7 Crime Novels That Feature Outsiders Who Challenge the Status Quo
September 8, 2026
by
Tanya Grant
Carolyn Marie Wilkins on Historical Fiction, Cults, and Writing Psychic Characters (as a Psychic)
September 8, 2026
by
Alex Dueben
The Best Reviewed Books of the Week
"A maximalist s banquet It is humane blood-flecked disturbing and sustaining James has written a…"