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Craft and Criticism
Literary Criticism
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On Translation
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Short Story
From the Novel
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Science
Politics
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Art and Photography
The Hub
Style
Design
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The Lit Hub Podcast
The Critic and Her Publics
Awakeners
Fiction/Non/Fiction
I’m a Writer But
Windham-Campbell Prizes Podcast
Memoir Nation
First Draft: A Dialogue on Writing
Tor Presents: Voyage Into Genre
Talk Easy
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The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Michelle Nijhuis
Butcher’s Crossing
Betrays the Brilliant Novel That Inspired It
Michelle Nijhuis on the New Adaptation of John Williams’s Novel
By
Michelle Nijhuis
| October 18, 2023
An Extraordinary Partnership:
Turn Every Page
Illustrates the Rare Ideal of Artistic Collaboration
Michelle Nijhuis Considers the New Documentary About Robert Caro and Robert Gottlieb
By
Michelle Nijhuis
| January 13, 2023
In
Women Talking
, Acts of Imagination Are Acts of Resistance
Michelle Nijhuis Considers Sarah Polley’s New Film Adaptation of Miriam Toews’s Novel
By
Michelle Nijhuis
| January 6, 2023
In Sebastián Lelio’s Adaptation of
The Wonder
, Stories Can Kill
Florence Pugh Carries the New Film Based on Emma Donoghue’s Novel
By
Michelle Nijhuis
| November 18, 2022
Nature Writing is Survival Writing: On Rethinking a Genre
Michelle Nijhuis Thinks It’s Time for Some New Perspectives
By
Michelle Nijhuis
| April 12, 2022
In the Resurgence of Folk Horror, We Are the Villains
Michelle Nijhuis on
Woodlands Dark and Days Bewitched:
A History of Folk Horror
By
Michelle Nijhuis
| February 14, 2022
Best Reviewed
Books of the Week
How
The Power of the Dog
Eviscerates the Myths of the Old Western
By
Michelle Nijhuis
| December 3, 2021
On the Frontlines of the Battle to Preserve the American West
By
Michelle Nijhuis
| March 9, 2021
Your guide to transportation horror-cide
October 10, 2025
by
John Hornor Jacobs
Sophie Hannah On How She Writes a Poirot Novel
October 10, 2025
by
Alex Dueben
My First thriller: Megan Abbott
October 9, 2025
by
Rick Pullen
The Best Reviewed Books of the Week
"King captures her guileless sense of awe with just a dusting of parody that never…"