How One Young Screenwriter Snagged the Rights to Are You There God? It’s Me, Margaret.
After 50 Years, Judy Blume’s Coming-of-Age Novel Finally Hits the Big Screen
How Octavia Butler’s Kindred Became a Novel
Michael Silverblatt Talks with Octavia Butler About Historical Research, Trauma, Touch, and More
Grant Faulkner on Capturing the Essence of a Short Story
“It’s the writer’s job to capture essences in words.”
The Lost King is a Jubilant Story of Historical Discovery and Overdue Recognition
The New Film From Stephen Frears and Steve Coogan Gives Credit to the Woman Who Found Richard III’s Lost Grave
FX’s Great Expectations Doesn’t Measure Up
Steven Knight’s Miniseries Makes Interesting Points About Empire and Womanhood, but They Get Lost in a Sea of Gratuitous Darkness
Leslye Penelope on the Historic 1919 Trial That Fueled Her New Magical Heist Novel
In Conversation with Rob Wolf on the New Books Network
How Stress Creeps Through Social Inequity to Shorten Lives
Dr. Arline T. Geronimus on Stress and the Human Biological Canvas
Anne Carson’s Autobiography of Red is Way Funnier Than You Remember
Emily Temple Revisits a Masterpiece 25 Years Later
The Big Door Prize Masters the Art of Comedy-Spiked Pathos
The Thoughtfully Compact M.O. Walsh Novel Balloons into Something Bigger (and Funnier) on the Small Screen
Ayad Akhtar on the Expectations of Artists
The Keynote Address From Last Night's Whiting Awards Ceremony
Idra Novey: I Didn’t Want to Write an Obituary for Appalachia
In Conversation with Maris Kreizman on The Maris Review Podcast
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