Muse as Medium: On the Women Pablo Picasso Remade in His Image
Mara Naselli Considers the Visceral Visual Violence of the Artist’s Oeuvre
Meals and Memories: Sheila Squillante on Writing to Remember Her Father
"I write because I want to continue my father, not contain him."
A Vicious Cycle: Jessica Strawser on Telling and Re-Telling Traumatic Stories
“It’s funny, how sometimes the things you know for sure can still surprise you.”
Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books
Including a Gargantuan Retelling of the History of English Literature and a Bowdlerization of The Divine Comedy
John Vaillant on Winning the 2023 Baillie Gifford Prize
In conversation with Razie Iqbal on the Baillie Gifford Prize Podcast, Read Smart
Lauren Grodstein on Deciding to Write a Novel About the Holocaust
In Conversation with Andrew Keen on Keen On
The Best Audiobooks of 2023, According to Audiofile
Celebrating the Year in Good Listening with Robin Whitten and Jo Reed
Why We Need a Women’s History of the Roman Empire
Emma Southon Offers Five Myth-busting Facts About Women in Ancient Rome
Material World: What Prehistoric Possessions Tell Us About Ourselves
Chip Colwell on the Objects That Link Us to Our Earliest Human Ancestors
What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?
The Disturbing—and Revealing—Story Behind an Iconic Moment in Cinema History
When Publishing F. Scott Fitzgerald is the Family Business
Charles Scribner III on Three Generations in the Book Business
Dara Barrois/Dixon on the Lived Poetry of the Late James Tate
Peter Mishler Talks to One of the Editors of Hell, I Love Everybody: The Essential James Tate
From Local, to Global, to Gone: On the Rise and Fall of Borders Books
Tom Borders Reflects on Lessons Learned in the World of Bookselling
Page 270 of 1875
