From the Trenches: New Work by Ukrainian Poet and Soldier Artur Dron
Translated by Yevheniia Dubrova and Hanna Leliv
Dangerous Solastalgia: On Writing in the Midst of Climate Grief
Ashley Shelby Considers the Languages We Create for Our Most Profound Losses
Atomic Fallacy: Why Nuclear Power Won’t Solve the Climate Crisis
M.V. Ramana Debunks Some Common Arguments About Energy In an Era of Ecological Emergency
Paolo Bacigalupi on Getting Re-inspired After Failed Projects
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
Kevin Barry on Balancing Wildness and Control
In Conversation with Mitzi Rapkin on the First Draft Podcast
The New York Times’ “Best Books of the Century” List Was an Unforgivable Erasure of African Literature
Ainehi Edoro-Glines on the Inherent Racism of Reproducing the Euro-American View of Literature
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Sarah Manguso, Anne Applebaum, Shalom Auslander, and More
Chaos Is My Co-Pilot: In Praise of Tumultuous, Unruly Storytelling
Jen Fawkes on Discovering the Virtues of Volatility in Historical Fiction
Lost and Found: Why I Almost Quit Journalism (and What Brought Me Back)
Lauren Markham: “Becoming lost within my profession helped me find my way back again.”
What Mary Renault’s The Last of the Wine Reveals About Athletes, Ancient and Modern
Justin Muchnick on His All-Time Favorite Novel of the Olympic Games
Phil Christman on the Poetics of Place
“I fear the obvious so much that my evasions of it have sometimes made me ridiculous.”
5 Book Reviews You Need to Read This Week
“There is no greater vindication of the suspicion that poor taste is a form of moral deficiency than the initial reception that greeted Hillbilly Elegy.”
Page 151 of 1855
