Lit Hub Daily: February 18, 2025

• Sophie Lewis chronicles the rise and fall of #girlboss feminism: “The funeral for ‘trickle-down feminism,’ eerily, keeps repeating itself, suggesting that, every time we report that the girlboss is dead, we’re being wishful.” | Lit Hub Criticism
• Rebecca Romney on the many literary afterlives of Jane Austen, from Edith Wharton to PD James. | Lit Hub Reading Lists
• What Robert Frost’s intellectual and literary influences reveal about his artistic philosophy. | Lit Hub Criticism
• Sarah Lyn Rogers examines the speaker as a mask in poetry: “…poetry’s narration occupies a flirty, winking middle space: Who’s to say if the narrator is the author?” | Lit Hub Craft
• Books by Evie Wyld, Adam Plunkett, Bruce Robbins, and more are among the 26 new titles out today! | Lit Hub Reading Lists
• Haley Mlotek explores the hidden activist life of Betty Friedan. | Lit Hub Biography
• “We’re all shaped by our eras…so at every turn, I asked myself how the historic events I was studying affected my characters’ daily lives and points of view.” Jane Ciabattari talks to Elyse Durham about depicting the creative side of the Cold War. | Lit Hub In Conversation
• “I do not believe in ghosts, which, since my death, has become something of a problem.” Read from Evie Wyld’s novel, The Echoes. | Lit Hub Fiction
• Samuel Clowes Huneke traces how pop culture became queer. | The New Republic
• Why math can bridge the gap between the humanities and the sciences. | Aeon
• “We are all caught up in the screen of the self—the tension between self and other, and between versions of our self.” Philip Sorenson explores cinema and poetry. | Los Angeles Review of Books
• Gabrielle Schwarz considers Elaine Aron and what it means to be a highly sensitive person. | Dirt
• “If language is consciousness and humans are a ‘place-loving species,’ then place-names—toponyms—may mold a larger piece of our minds than we think.” Joshua Jelly-Shapiro ponders naming as power, from the Gulf of Mexico to New York City’s streets. | Pioneer Works
• Hanif Abdurraqib considers Bartees Strange’s new album, Horror. | The New Yorker

Photo credit: John Mathew Smith & www.celebrity-photos.com

from Laurel Maryland, USA, CC BY-SA 2.0, via Wikimedia Commons