-
“We should not write what we know but what we don’t know about what we know.” William Dameron on the tricky art of turning truth into fiction. | Lit Hub
-
Janet Wallach chronicles the making of WWI-era socialite and spy Marguerite Harrison. | Lit Hub Biography
-
Voices from the Radium Age: How scientific and technological breakthroughs created a new kind of fiction. | Lit Hub Sci-Fi
-
Prudence Peiffer on balancing motherhood and authorhood: “I am trying to be more honest, and allow that this is different from complaining.” | Lit Hub
-
“As Marcus sees it, disappointment is fundamentally generative.” Lynn Feeley on Sara Marcus’s Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis. | The Nation
-
Suzanne Nossel lays out the profound implications of Hollywood’s fight against AI. | The New Republic
-
“It’s about the legacy of trauma, dislocation and loss, all classic nostalgia triggers.” Helen Macdonald and her co-writer Sin Blaché on writing a book with Barbenheimer vibes. | The Guardian
-
Sophia McClennan discusses the role of political satire in decoding the chaos of the Trump White House. | JSTOR Daily
-
A brief history of the letter X. | Smithsonian Magazine
Also on Lit Hub: How Richard Wright inspired Omer Aziz • How casting Helen of Troy becomes an exercise in female power • Read from Ben Purkert’s debut novel, The Men Can’t Be Saved