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- If satire has lost its appeal in 2018, reading horror is still powerful: it “helps us name the original sins out of which horrible things are born.” | NPR
- “One has to be somewhat badly behaved to write above the fray in a society most comfortable with palatable mediocrity.” Ottessa Moshfegh recalls a relationship with an older writer. | The Guardian
- “It’s hard to remember now, but for decades after the publication of Webster’s Third, people still had intense opinions about dictionaries.” A brief history of dictionary drama. | The Atlantic
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- “T’aint your fault, guv’nor, it’s a rotten play.” On Henry James ill-advised foray into playwriting. | The New York Times
- “When Americans read, we mostly read for story, not for style.” Adam Kirsch unpacks the results of PBS’s “Great American Read.” | WSJ
- “To me, pessimism is interesting because it has something to do with the limits of thought.” An interview with Infinite Resignation author Eugene Thacker. | VICE
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