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“Maybe we failed. But I believe the thing was worth attempting.” Marguerite Duras on writing the screenplay for Alain Resnais’ 1959 film, Hiroshima Mon Amour. | Lit Hub Film
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“He was an all-the-time poet. It was a very nice pace.” Eileen Myles remembers their friend Bobby Byrd. | Lit Hub Poetry
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Mutated crabs and zombie fish: How an unlucky Texas fisherman stumbled upon an environmental catastrophe. | Lit Hub Nature
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Mike Rothschild considers how the madness of QAnon seeped into everyday life. | Lit Hub Politics
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Kristine Langley Mahler on “the essayist’s destiny in the era of Google”—or, how to be a creep for art! | Lit Hub
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To mark the prize’s tenth year, the British Academy has produced a free short anthology featuring contributions from seven previous winners and shortlisted writers. | The British Academy
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As the DOJ v. PRH case wraps up, what did we learn? | The New York Times
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“History, for Sorokin, is clay he manipulates into art, that he manipulates again and again. And again.” Arya Roshanian on the incendiary novels of Vladimir Sorokin. | Gawker
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Michelle Zauner recommends a few of her favorite books. | Elle
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Alyson McCabe considers the contradictions of crime novelist Patricia Highsmith. | NPR
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“The power of these ballads of social unrest lies in their ability to transform individual tragedies into subtle yet clear indictments of unjust systems.” Brian Brodeur considers the midcentury ballad. | Los Angeles Review of Books
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Robert Rubsam recommends the best books that explore various dimensions of obsession. | The Atlantic
Also on Lit Hub: Interview with an indie press: And Other Stories • Alexa T. Dodd recounts five years with a predatory vanity press • Read from Akil Kumarasamy’s new novel, Meet Us by the Roaring Sea
