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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
Darryl Pinckney on Working for the
New York Review of Books
and Navigating New York City’s Literary Scene as a Young Black Writer
“Bob and Barbara are dinosaurs and we’re these mammals running around afraid of getting squashed.”
By
Darryl Pinckney
| October 26, 2022
How My Novel Disappeared—And Why it Came Back
Lucy Ferriss on the “Strange Miracle” That Brought Back Her Story
By
Lucy Ferriss
| October 26, 2022
Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves
Sara Martin Considers the Sobriety Narrative and the Pitfalls of Fixed Identities
By
Sara Martin
| October 25, 2022
Andrew Bomback on Starting with Memoir and Ending with Cultural History
In Conversation with Alex Higley and Lindsay Hunter on
I'm a Writer But
By
I'm a Writer But
| October 25, 2022
Sweet Yet Sinister: How the Stroller Embodies Parental Hopes and Fears
Amanda Parrish Morgan on Maternal Idealization and Inadequacy
By
Amanda Parrish Morgan
| October 24, 2022
A Dreamer of Worlds: Anna Badkhen Explores Ethiopa (and the Etymologies of Maps)
“What each map always implies is the observer, you.”
By
Anna Badkhen
| October 24, 2022
Best Reviewed
Books of the Week
Why Is Flying So Miserable These Days? And Was It Ever That Glamorous?
By
Keen On
| October 24, 2022
The Grief of Publishing a Book Without the Parent Who Inspired You
By
Monica Macansantos
| October 24, 2022
Harold R. Johnson on How We Tell Our Own Stories
By
Harold R. Johnson
| October 24, 2022
Mary Karr on Navigating Memory While Writing Memoir
“A single image can split open the hard seed of the past.”
By
Mary Karr
| October 21, 2022
The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life
“A queer person is used to keeping secrets, telling lies, sectioning off parts of themselves.”
By
Steffan Triplett
| October 21, 2022
“I Was a Seventeen-Year-Old Pornographer.” Steven Heller on His Stint as Art Director of the Underground
“Art direction was a mighty dangerous job.”
By
Steven Heller
| October 21, 2022
Playing with Fear: How Oracle Cards Taught Me To Ask More Honest Questions
Rita Zoey Chin on a Lifetime of Chasing the Unanswerable
By
Rita Zoey Chin
| October 21, 2022
How Friends and Family Can Support Survivors of Domestic Violence
Ruth M. Glenn on Being Present at Every Stage
By
Corinne Segal
| October 21, 2022
On Writing and Sweating: How a Boutique Fitness Class Fueled My Novel
Sheila Yasmin Marikar on Body by Simone and the Promise of Transformation
By
Sheila Yasmin Marikar
| October 20, 2022
How Dick Gregory Learned to Subvert Racist Audiences
“I went all the way back to childhood.”
By
Dick Gregory
| October 20, 2022
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Page 51 of 157
Jaime Parker Stickle on Podcasts, Investigations, and Her Strange Journey to Writing a Thriller
November 5, 2025
by
Jaime Parker Stickle
Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's Fair
November 5, 2025
by
Emily Bain Murphy
7 Thrillers and Mysteries Where the Celebration Turns Deadly
November 5, 2025
by
Heather Gudenkauf
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"