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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
Maira Kalman on Losing a Sister to Forced Separation
“How could she be expected to overcome the sorrow of being sent away from the family?”
By
Maira Kalman
| October 15, 2024
What the Science of Memory Can (and Can’t) Reveal about Truth in Memoir
Debra Nystrom on the Power of Personal Story Alongside Objective Study
By
Debra Nystrom
| October 9, 2024
The Issues 2024: Going Deep on the Problem of Income Inequality
Introducing the First in a Series of In-Depth Looks at the Everyday Issues Facing Americans
By
Literary Hub
| October 8, 2024
A Literary Inheritance: On the Stories We Tell (and Don’t Tell) To Our Children
Alejandro Zambra: “All I have to do is sit beside you...and read to you the parts of the book that have words...”
By
Alejandro Zambra
| October 8, 2024
“Those Folks Never Had Their Lights Turned Off.” On the Literary Importance of Highlighting the Haves and the Have-Nots
From Barroom Chats with Raymond Carver to the Aperçus of Thomas Piketty, Douglas Unger Explores Class Consciousness in American Letters
By
Douglas Unger
| October 7, 2024
On the Environmental and Philosophical Factors Behind Literary Creation
Steve Wasserman Deconstructs the “Writer’s Space”
By
Steve Wasserman
| October 7, 2024
Best Reviewed
Books of the Week
On the Remarkable Legacy of Lewis Lapham
By
Elias Altman
| October 7, 2024
Nicer in Hindi: Sayantani Dasgupta on Living Between Three Languages
By
Sayantani Dasgupta
| October 3, 2024
Embracing Bucolic Beauty: On Finding Purpose and Joy in Raising Sheep
By
John Connell
| October 3, 2024
Chowder and Community: In Praise of Warm Meals and Warm Hearts
Tammy Armstrong on Finding Comfort and Inspiration in Fellowship and Food
By
Tammy Armstrong
| October 3, 2024
What Our Dreams Tell Us About Ourselves and About the World
Michelle Tea on the Ancient Origins and Contemporary Relevance of Dream Interpretation
By
Michelle Tea
| October 2, 2024
“Brilliant, Unquiet Minds.” Remembering the Writers Who Struggled With Their Demons
Betsy Lerner Considers the Difficult Yet Important Work of Publishing Messy and Vulnerable Stories
By
Betsy Lerner
| October 2, 2024
The Price of “Progress.” On Development, Displacement and Dictatorship in the Amazon
José Henrique Bortoluci Explores Familial and Collective Memory of Authoritarian Rule in Brazil
By
José Henrique Bortoluci
| October 1, 2024
Footnotes All the Way Down: How Russian Poetry Mines the Past to Reveal the Present
Forrest Gander Remembers Two Innovative Moscow Poets, Nina Iskrenko and Alexander Yeremenko
By
Forrest Gander
| October 1, 2024
Weird No More: On Loving and Leaving Austin, Texas
Alex Hannaford Considers the Rapidly Changing Face of a Once-Affordable Artistic and Cultural Center
By
Alex Hannaford
| October 1, 2024
A Precarious Arrangement: On Appearance, Coloniality and the Creation of the Self
Dionne Brand: “I now recognize myself as authored, altered. As selected, sorted, from a series of selves.”
By
Dionne Brand
| October 1, 2024
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Page 14 of 156
Olivia Rutigliano Talks to Caroline Reitz About Female Anger and Crime Fiction
October 16, 2025
by
Olivia Rutigliano
Quaint Kills: Martha Waters on Creating the Quintessential Murder Village in Cozy Mysteries
October 16, 2025
by
Martha Waters
Which Horror Novel Should You Read Next, Based On Your Favorite A24 Horror Film?
October 16, 2025
by
Carson Faust
The Best Reviewed Books of the Week
"Might be the best craft book on writing you will ever read It s not…"