Literary Hub » Film and TV

On <em>Lessons in Chemistry</em> and the Reign of Extraordinary Women

On Lessons in Chemistry and the Reign of Extraordinary Women

Rosalynn Tyo on the New Series Adaptation and the Sidelining of “Average” Women

By Rosalynn Tyo | October 23, 2023

Despite Some Pitfalls, <em>Killers of the Flower Moon</em> Swells with Humanity and Heart

Despite Some Pitfalls, Killers of the Flower Moon Swells with Humanity and Heart

On Martin Scorsese’s New Adaptation of David Grann’s Monumental Book

By Olivia Rutigliano | October 20, 2023

Marty and Leo are bringing another David Grann book to the big screen.

Marty and Leo are bringing another David Grann book to the big screen.

By Dan Sheehan | October 19, 2023

Highs and Lows from the New York Film Festival's Literary Fare

Highs and Lows from the New York Film Festival's Literary Fare

Elissa Suh Reviews Poor Things, Foe, The Beast, and More

By Elissa Suh | October 19, 2023

Watch the sinister trailer for the adaptation of Ottessa Moshfegh's <em>Eileen</em>.

Watch the sinister trailer for the adaptation of Ottessa Moshfegh's Eileen.

By Emily Temple | October 18, 2023

<em>Butcher’s Crossing</em> Betrays the Brilliant Novel That Inspired It

Butcher’s Crossing Betrays the Brilliant Novel That Inspired It

Michelle Nijhuis on the New Adaptation of John Williams’s Novel

By Michelle Nijhuis | October 18, 2023

Best Reviewed
Books of the Week

How the Iron Horse Spelled Doom for the American Buffalo

By Dayton Duncan and Ken Burns | October 16, 2023

Halloween at 45: How Horror’s Scariest Franchise Makes Sense of the Senseless

By Michael Kraus | October 13, 2023

What Does Playing the Devil Incarnate Do to a Young Girl?

By Marlena Williams | October 13, 2023

Dorothea Lasky on the Power of Horror

Dorothea Lasky on the Power of Horror

The Poet Considers Kubrick's The Shining and Sylvia Plath's “Tulips”

By Dorothea Lasky | October 13, 2023

The Divided Self is Every Immigrant’s Legacy

The Divided Self is Every Immigrant’s Legacy

Thrity Umrigar on Fitting in in America

By Thrity Umrigar | October 13, 2023

Liberatory Art: What <em>Passages</em> Achieves in the History of Cinema and Desire

Liberatory Art: What Passages Achieves in the History of Cinema and Desire

”Passages can mean so much without us strip-mining its parts for parts.”

By Frank Falisi | October 6, 2023

Iain Reid on Seeing <em>Foe</em> Come to Life on Screen

Iain Reid on Seeing Foe Come to Life on Screen

All Hail Saoirse Ronan and Paul Mescal

By Iain Reid | October 6, 2023

50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with <em>Battle for the Planet of the Apes</em>

50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes

Matthew Hays on the Literary Adaptation (Yes, Really) That Doubled as a Hate Letter to America

By Matthew Hays | October 4, 2023

More, More, <em>More</em>: Why We Love Author Documentaries

More, More, More: Why We Love Author Documentaries

Jonathan Russell Clark Considers New Docs on Joyce Carol Oates, Stephen King, and Tom Wolfe

By Jonathan Russell Clark | October 3, 2023

What the WGA’s Historic Contract Means for All Writers in the Fight Against Generative AI

What the WGA’s Historic Contract Means for All Writers in the Fight Against Generative AI

Alexis Gunderson on the Wins of Hollywood’s Hot Labor Summer

By Alexis Gunderson | October 3, 2023

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