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On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

Zach Schonfeld on a Family Not Unlike the Corleones

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

The Pyschedelic Life and Art of David Edward Byrd

The Pyschedelic Life and Art of David Edward Byrd

It All Began With a Trip to the Bathroom

By Robert von Goeben | November 20, 2023

<em>Leave the World Behind</em> is a Tense, Uneasy Thriller

Leave the World Behind is a Tense, Uneasy Thriller

Olivia Rutigliano on Sam Esmail’s Adaptation of Rumaan Alam’s National Book Award-Nominated Novel

By Olivia Rutigliano | November 17, 2023

How <em>Siskel & Ebert</em> Brought Movies to the People

How Siskel & Ebert Brought Movies to the People

Matt Singer on the Bygone Era Before Movie Clips

By Matt Singer | November 17, 2023

Why <em>Maurice</em> is Still a Resonant Text for the Queer Audience

Why Maurice is Still a Resonant Text for the Queer Audience

David Greven Defends a Merchant Ivory Adaptation

By David Greven | November 15, 2023

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  • Taipei Story
  • Ambivalence: An Education
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  • The Passing of the Dragon and Other Stories
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Dream Scenario is a Worthwhile Head Trip

By Olivia Rutigliano | November 10, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

By Hannah Bonner | November 10, 2023

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

By Emily J. Orlando | November 8, 2023

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Scott Eyman on the Making and Legacy of The Great Dictator

By Scott Eyman | November 3, 2023

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

The Problem with the Classics

By Foster Hirsch | November 3, 2023

We Almost Got a Superhero Movie from <em>The Exorcist</em> Director William Friedkin

We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner

By Paul Morton | November 3, 2023

Love and Looking: On What We (Don't) See Together

Love and Looking: On What We (Don't) See Together

Devorah Baum Considers the Role of Observation in Art and Romance

By Devorah Baum | November 2, 2023

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

“The movie gets to make a lot of different choices—and has to, to be full and rich.”

By Literary Hub | November 2, 2023

What to Read Before and After Seeing <em>Orlando, My Political Biography</em>

What to Read Before and After Seeing Orlando, My Political Biography

On Virginia Woolf, Orlando, and Trans Lives

By Literary Hub | November 1, 2023

Silvia Garcia-Moreno on <em>Dracula</em>’s Depictions and Descendants

Silvia Garcia-Moreno on Dracula’s Depictions and Descendants

Vampires! Vampires! Vampires!

By Silvia Moreno-Garcia | October 31, 2023

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Page 26 of 118
    • Happily Never After: 5 Horror Novels Influenced by Dark FairytalesSeptember 15, 2026 by Saratoga Schaefer
    • Michelle L. Cullen on the Secret Weapons of Cozy Amateur SleuthsSeptember 15, 2026 by Michelle L. Cullen
    • How to Hide a Body and (Maybe) Get Away with Murder in FictionSeptember 15, 2026 by Jennifer Holdich
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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