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Log In
Film and TV
On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola
Zach Schonfeld on a Family Not Unlike the Corleones
By
Zach Schonfeld
| November 20, 2023
How the Publicity Campaign for
Killers of the Flower Moon
Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour
Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell
By
Paul Morton
| November 20, 2023
The Pyschedelic Life and Art of David Edward Byrd
It All Began With a Trip to the Bathroom
By
Robert von Goeben
| November 20, 2023
Leave the World Behind
is a Tense, Uneasy Thriller
Olivia Rutigliano on Sam Esmail’s Adaptation of Rumaan Alam’s National Book Award-Nominated Novel
By
Olivia Rutigliano
| November 17, 2023
How
Siskel & Ebert
Brought Movies to the People
Matt Singer on the Bygone Era Before Movie Clips
By
Matt Singer
| November 17, 2023
Why
Maurice
is Still a Resonant Text for the Queer Audience
David Greven Defends a Merchant Ivory Adaptation
By
David Greven
| November 15, 2023
Best Reviewed
Books of the Week
Dream Scenario
is a Worthwhile Head Trip
By
Olivia Rutigliano
| November 10, 2023
Sweet Nothings: On the Emptiness of Sofia Coppola’s
Priscilla
By
Hannah Bonner
| November 10, 2023
The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen
By
Emily J. Orlando
| November 8, 2023
Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen
Scott Eyman on the Making and Legacy of
The Great Dictator
By
Scott Eyman
| November 3, 2023
How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big
The Problem with the Classics
By
Foster Hirsch
| November 3, 2023
We Almost Got a Superhero Movie from
The Exorcist
Director William Friedkin
When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner
By
Paul Morton
| November 3, 2023
Love and Looking: On What We (Don't) See Together
Devorah Baum Considers the Role of Observation in Art and Romance
By
Devorah Baum
| November 2, 2023
Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film
“The movie gets to make a lot of different choices—and has to, to be full and rich.”
By
Literary Hub
| November 2, 2023
What to Read Before and After Seeing
Orlando, My Political Biography
On Virginia Woolf, Orlando, and Trans Lives
By
Literary Hub
| November 1, 2023
Silvia Garcia-Moreno on
Dracula
’s Depictions and Descendants
Vampires! Vampires! Vampires!
By
Silvia Moreno-Garcia
| October 31, 2023
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Page 26 of 118
Happily Never After: 5 Horror Novels Influenced by Dark Fairytales
September 15, 2026
by
Saratoga Schaefer
Michelle L. Cullen on the Secret Weapons of Cozy Amateur Sleuths
September 15, 2026
by
Michelle L. Cullen
How to Hide a Body and (Maybe) Get Away with Murder in Fiction
September 15, 2026
by
Jennifer Holdich
The Best Reviewed Books of the Week
"A bold and arresting departure from Cline s earlier work Though em Switzy em can…"