Literary Hub » Film and TV

<em>Eileen</em> Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Eileen Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Emmeline Clein Digs in to the New Adaptation, from Page to Screen

By Emmeline Clein | December 6, 2023

<em>Poor Things</em> is a Curious Phantasmagoria

Poor Things is a Curious Phantasmagoria

Olivia Rutigliano on Yorgos Lanthimos’s (Best) New Film

By Olivia Rutigliano | December 5, 2023

The Literary Film & TV You Need to Stream in December

The Literary Film & TV You Need to Stream in December

The End of the Year Approaches

By Emily Temple | December 1, 2023

Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

Beyond <em>Poor Things</em>: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Including a Gargantuan Retelling of the History of English Literature and a Bowdlerization of The Divine Comedy

By Mazin Saleem | November 29, 2023

Best Reviewed
Books of the Week

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

By Sam Wasson | November 28, 2023

Benny Safdie on Capturing Life on Film

By Talk Easy | November 28, 2023

The Stars Are Hollow: On Gilmore Girls as “Normporn”

By Karen Tongson | November 22, 2023

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

Zach Schonfeld on a Family Not Unlike the Corleones

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

The Pyschedelic Life and Art of David Edward Byrd

The Pyschedelic Life and Art of David Edward Byrd

It All Began With a Trip to the Bathroom

By Robert von Goeben | November 20, 2023

<em>Leave the World Behind</em> is a Tense, Uneasy Thriller

Leave the World Behind is a Tense, Uneasy Thriller

Olivia Rutigliano on Sam Esmail’s Adaptation of Rumaan Alam’s National Book Award-Nominated Novel

By Olivia Rutigliano | November 17, 2023

How <em>Siskel & Ebert</em> Brought Movies to the People

How Siskel & Ebert Brought Movies to the People

Matt Singer on the Bygone Era Before Movie Clips

By Matt Singer | November 17, 2023

Why <em>Maurice</em> is Still a Resonant Text for the Queer Audience

Why Maurice is Still a Resonant Text for the Queer Audience

David Greven Defends a Merchant Ivory Adaptation

By David Greven | November 15, 2023

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