Literary Hub » Film and TV

Pride, Prejudice, and <em>The Bachelor</em>

Pride, Prejudice, and The Bachelor

Chiara Dello Joio on Reality Television's Marriage Plot

By Chiara Dello Joio | September 8, 2023

30 Years Later, <em>The Age of Innocence</em> Remains Scorsese’s Most Subtle Deconstruction of Misogyny

30 Years Later, The Age of Innocence Remains Scorsese’s Most Subtle Deconstruction of Misogyny

The Storied Director Found His Match in Edith Wharton

By Andrew Quintana | September 8, 2023

<em>The Changeling</em> Brings a Genre-Bending Fable of Family to the Screen

The Changeling Brings a Genre-Bending Fable of Family to the Screen

Rebecca Ackermann on the New Series Adaptation of Victor LaValle’s Literary Horror Novel

By Rebecca Ackermann | September 7, 2023

The Literary Film & TV You Need to Stream in September

The Literary Film & TV You Need to Stream in September

Some Magic and Mystery for the Early Days of Spooky Season

By Emily Temple | September 1, 2023

The Never-Ending Transgender Talk Show: A Conversation with <em>Framing Agnes</em> Director Chase Joynt

The Never-Ending Transgender Talk Show: A Conversation with Framing Agnes Director Chase Joynt

On Complicating Easy Notions of “Trans Representation”

By Spencer Williams | September 1, 2023

Tad Friend and the Art of Long-Form Journalism

Tad Friend and the Art of Long-Form Journalism

In Conversation with John Burnham Schwartz on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | September 1, 2023

Best Reviewed
Books of the Week

Beyond Tortured Genius: Science and Conscience in Two Rediscovered Oppenheimer Films

By Lauren Carroll Harris | August 31, 2023

The Greatest Velmas of History and Fiction

By Shaenon K. Garrity | August 25, 2023

How From Here to Eternity Contradicted Post-War America’s Wholesome Notions

By M. J. Moore | August 24, 2023

On the Death of the Comedy Blockbuster

On the Death of the Comedy Blockbuster

Saul Austerliz Wants to Know: Where Might the Next Will Ferrell Come From?

By Saul Austerlitz | August 23, 2023

Greta Gerwig’s Paradise Lost

Greta Gerwig’s Paradise Lost

Orlando Reade on the Deep Parallels Between Barbie and John Milton’s Late Renaissance Epic

By Orlando Reade | August 23, 2023

We’re Not Promising Anymore: Lizzy Goodman on the Fleeting Amateur Spirit of <em>Meet Me in the Bathroom</em>

We’re Not Promising Anymore: Lizzy Goodman on the Fleeting Amateur Spirit of Meet Me in the Bathroom

“You have to make your story out of what you find.”

By Gyasi Hall | August 18, 2023

The Library is Open: On <em>Party Girl</em>, Budget Cuts, and the Future of Women’s Work

The Library is Open: On Party Girl, Budget Cuts, and the Future of Women’s Work

Victoria Wiet on the 1995 Cult Classic, a Rallying Cry for Libraries

By Victoria Wiet | August 17, 2023

"I Am the Only One Who Should Recite Them": When Werner Herzog Narrates Your AI Poetry Collection

Brent Katz on Directing the Legendary Director

By Brent Katz | August 16, 2023

<em>The Last Voyage of the Demeter</em> is a Creative <em>Dracula</em> Adaptation That Bites Off a Bit More Than It Can Chew

The Last Voyage of the Demeter is a Creative Dracula Adaptation That Bites Off a Bit More Than It Can Chew

Olivia Rutigliano Grades André Øvredal's New Film on a Curve

By Olivia Rutigliano | August 11, 2023

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

A Wrestler, a Sunday School Teacher, and a Mystery Man Walk into a Studio

By Paul Morton | August 10, 2023

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