Literary Hub » Film and TV

<em>Butcher’s Crossing</em> Betrays the Brilliant Novel That Inspired It

Butcher’s Crossing Betrays the Brilliant Novel That Inspired It

Michelle Nijhuis on the New Adaptation of John Williams’s Novel

By Michelle Nijhuis | October 18, 2023

How the Iron Horse Spelled Doom for the American Buffalo

How the Iron Horse Spelled Doom for the American Buffalo

Dayton Duncan and Ken Burns on General Custer, Buffalo Bill and Grand Duke Alexis

By Dayton Duncan and Ken Burns | October 16, 2023

<em>Halloween</em> at 45: How Horror’s Scariest Franchise Makes Sense of the Senseless

Halloween at 45: How Horror’s Scariest Franchise Makes Sense of the Senseless

On the Many Masks of Michael Myers, from Unknowable Force of Nature to Explainable Antagonist

By Michael Kraus | October 13, 2023

What Does Playing the Devil Incarnate Do to a Young Girl?

What Does Playing the Devil Incarnate Do to a Young Girl?

Marlena Williams on Linda Blair’s Infamous Role in The Exorcist

By Marlena Williams | October 13, 2023

Dorothea Lasky on the Power of Horror

Dorothea Lasky on the Power of Horror

The Poet Considers Kubrick's The Shining and Sylvia Plath's “Tulips”

By Dorothea Lasky | October 13, 2023

The Divided Self is Every Immigrant’s Legacy

The Divided Self is Every Immigrant’s Legacy

Thrity Umrigar on Fitting in in America

By Thrity Umrigar | October 13, 2023

Best Reviewed
Books of the Week

Liberatory Art: What Passages Achieves in the History of Cinema and Desire

By Frank Falisi | October 6, 2023

Iain Reid on Seeing Foe Come to Life on Screen

By Iain Reid | October 6, 2023

50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes

By Matthew Hays | October 4, 2023

More, More, <em>More</em>: Why We Love Author Documentaries

More, More, More: Why We Love Author Documentaries

Jonathan Russell Clark Considers New Docs on Joyce Carol Oates, Stephen King, and Tom Wolfe

By Jonathan Russell Clark | October 3, 2023

What the WGA’s Historic Contract Means for All Writers in the Fight Against Generative AI

What the WGA’s Historic Contract Means for All Writers in the Fight Against Generative AI

Alexis Gunderson on the Wins of Hollywood’s Hot Labor Summer

By Alexis Gunderson | October 3, 2023

Check out the first trailer for <em>Leave the World Behind</em>.

Check out the first trailer for Leave the World Behind.

By Dan Sheehan | October 2, 2023

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

Hannah Bonner Formally Introduces the Refocus Film Festival

By Hannah Bonner | September 29, 2023

The Literary Film & TV You Need to Stream in October

The Literary Film & TV You Need to Stream in October

The Spooky Edit

By Emily Temple | September 29, 2023

How <em>Oppenheimer</em> Fails to Unpack the Craft at the Core of Its Drama

How Oppenheimer Fails to Unpack the Craft at the Core of Its Drama

“When it comes to STEM in film, there can be drama in the minutiae.”

By Claire Tuna | September 28, 2023

Anne Applebaum, Robert Kagan, and Evan Osnos on Democracy

Anne Applebaum, Robert Kagan, and Evan Osnos on Democracy

In Conversation on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | September 28, 2023

« First ‹ Previous 12 13 14 151617 18 19 20 Next ›Last »

Page 16 of 88