Literary Hub » Film and TV

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

Zach Schonfeld on a Family Not Unlike the Corleones

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

The Pyschedelic Life and Art of David Edward Byrd

The Pyschedelic Life and Art of David Edward Byrd

It All Began With a Trip to the Bathroom

By Robert von Goeben | November 20, 2023

<em>Leave the World Behind</em> is a Tense, Uneasy Thriller

Leave the World Behind is a Tense, Uneasy Thriller

Olivia Rutigliano on Sam Esmail’s Adaptation of Rumaan Alam’s National Book Award-Nominated Novel

By Olivia Rutigliano | November 17, 2023

How <em>Siskel & Ebert</em> Brought Movies to the People

How Siskel & Ebert Brought Movies to the People

Matt Singer on the Bygone Era Before Movie Clips

By Matt Singer | November 17, 2023

Best Reviewed
Books of the Week

Why Maurice is Still a Resonant Text for the Queer Audience

By David Greven | November 15, 2023

Dream Scenario is a Worthwhile Head Trip

By Olivia Rutigliano | November 10, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

By Hannah Bonner | November 10, 2023

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

Apple TV+ Isn’t Moving Forward with a Series Adaptation of The Custom of the Country. It’s Their Loss.

By Emily J. Orlando | November 8, 2023

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Scott Eyman on the Making and Legacy of The Great Dictator

By Scott Eyman | November 3, 2023

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

The Problem with the Classics

By Foster Hirsch | November 3, 2023

We Almost Got a Superhero Movie from <em>The Exorcist</em> Director William Friedkin

We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner

By Paul Morton | November 3, 2023

Love and Looking: On What We (Don't) See Together

Love and Looking: On What We (Don't) See Together

Devorah Baum Considers the Role of Observation in Art and Romance

By Devorah Baum | November 2, 2023

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

“The movie gets to make a lot of different choices—and has to, to be full and rich.”

By Literary Hub | November 2, 2023

What to Read Before and After Seeing <em>Orlando, My Political Biography</em>

What to Read Before and After Seeing Orlando, My Political Biography

On Virginia Woolf, Orlando, and Trans Lives

By Literary Hub | November 1, 2023

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