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We Almost Got a Superhero Movie from <em>The Exorcist</em> Director William Friedkin

We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner

By Paul Morton | November 3, 2023

Love and Looking: On What We (Don't) See Together

Love and Looking: On What We (Don't) See Together

Devorah Baum Considers the Role of Observation in Art and Romance

By Devorah Baum | November 2, 2023

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

“The movie gets to make a lot of different choices—and has to, to be full and rich.”

By Literary Hub | November 2, 2023

What to Read Before and After Seeing <em>Orlando, My Political Biography</em>

What to Read Before and After Seeing Orlando, My Political Biography

On Virginia Woolf, Orlando, and Trans Lives

By Literary Hub | November 1, 2023

Silvia Garcia-Moreno on <em>Dracula</em>’s Depictions and Descendants

Silvia Garcia-Moreno on Dracula’s Depictions and Descendants

Vampires! Vampires! Vampires!

By Silvia Moreno-Garcia | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

By Justin Phillip Reed | October 31, 2023

The Holdovers is a Revelation

By Olivia Rutigliano | October 27, 2023

50 Years Later, Terrence Malick’s Badlands Remains a Pure Encapsulation of American Violence

By Gus Mitchell | October 27, 2023

Evan Hughes on Writing the Book Behind <em>Pain Hustlers</em>

Evan Hughes on Writing the Book Behind Pain Hustlers

“The saga I’m obsessed with is getting another life.”

By Evan Hughes | October 27, 2023

<em>Goosebumps</em> Remixes Its Source Material to Satisfying Results

Goosebumps Remixes Its Source Material to Satisfying Results

The new Disney+/Hulu adaptation of R.L. Stine’s beloved children’s series is a charming tribute and a fun story on its own.

By Michael Kraus | October 27, 2023

The Literary Film & TV You Need to Stream in November

The Literary Film & TV You Need to Stream in November

From Under the Blanket

By Emily Temple | October 27, 2023

Romance and Representation: On the Rise of the Asian American Romantic Comedy

Romance and Representation: On the Rise of the Asian American Romantic Comedy

Jeff Yang in Conversation With Actor Simu Liu and Filmmaker Alice Wu

By Jeff Yang | October 26, 2023

Holly Ringland on the Life-Affirming Experience of Seeing Her Novel Adapted for TV

Holly Ringland on the Life-Affirming Experience of Seeing Her Novel Adapted for TV

The Author of The Lost Flowers of Alice Hart Goes Behind the Scenes (and Shares Exclusive Photos!)

By Holly Ringland | October 26, 2023

On <em>Lessons in Chemistry</em> and the Reign of Extraordinary Women

On Lessons in Chemistry and the Reign of Extraordinary Women

Rosalynn Tyo on the New Series Adaptation and the Sidelining of “Average” Women

By Rosalynn Tyo | October 23, 2023

Despite Some Pitfalls, <em>Killers of the Flower Moon</em> Swells with Humanity and Heart

Despite Some Pitfalls, Killers of the Flower Moon Swells with Humanity and Heart

On Martin Scorsese’s New Adaptation of David Grann’s Monumental Book

By Olivia Rutigliano | October 20, 2023

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Page 16 of 89
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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