By Tyler Malone | October 31, 2023
“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry
Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page
By Justin Phillip Reed | October 31, 2023
By Olivia Rutigliano | October 27, 2023
50 Years Later, Terrence Malick’s Badlands Remains a Pure Encapsulation of American Violence
Gus Mitchell on the Singular Director’s Debut Film
By Gus Mitchell | October 27, 2023
The Literary Film & TV You Need to Stream in November
By Emily Temple | October 27, 2023
Romance and Representation: On the Rise of the Asian American Romantic Comedy
By Jeff Yang | October 26, 2023
On Lessons in Chemistry and the Reign of Extraordinary Women
Rosalynn Tyo on the New Series Adaptation and the Sidelining of “Average” Women
By Rosalynn Tyo | October 23, 2023
Despite Some Pitfalls, Killers of the Flower Moon Swells with Humanity and Heart
On Martin Scorsese’s New Adaptation of David Grann’s Monumental Book
By Olivia Rutigliano | October 20, 2023
By Dan Sheehan | October 19, 2023
