Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
Craft and Advice
Thank You for Being a Friend: Lessons in Writing and Life from
The Golden Girls
Parini Shroff on Writing Against Tropes and Celebrating Platonic Love Stories
By
Parini Shroff
| January 3, 2023
Peter Orner on Looking for “Solace in Remembering” and His Pursuit of Chronology
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 3, 2023
Susanne Pari on Iran’s Rich History of Feminist Rebellion
The Author of
In the Time of Our History
Talks to Jane Ciabattari
By
Jane Ciabattari
| January 3, 2023
Getting Reinspired to Write... Again... For the New Year!
Listen to Brooke Warner and Grant Faulkner on Write-Minded
By
Memoir Nation
| January 3, 2023
Judith Thurman on Elena Ferrante and Writing That Rattles the Cage of Gender
"This body of work defies the conventions of writing 'like a woman' as radically as did Mary Shelley’s Frankenstein."
By
Judith Thurman
| December 23, 2022
The Forty Year Kiss: Nickolas Butler on Why People-Watching Is Writing
“All novelists are spies or should be.”
By
Nickolas Butler
| December 23, 2022
Best Reviewed
Books of the Week
Casting Symbolic Intimacy: How TV Can Help Us Get Better at Zoom
By
Allison Wyss
| December 23, 2022
The Legacy of ISIS: Dunya Mikhail on Yazidi Women Captives in Iraq
By
Fiction Non Fiction
| December 22, 2022
Hervé Tullet Reflects on a Career of Creating Creatively Unconventional Children’s Literature
By
Hervé Tullet
| December 21, 2022
Crow, Donkey, Poet: Sumana Roy on the Useless in the Poetic
“Through difference and repetition, the useless is smuggling in poetry and the poetic in language.”
By
Sumana Roy
| December 21, 2022
Rae Meadows on Immersing Herself in the World of Soviet Gymnastics
Jane Ciabattari Talks to the Author of
Winterland
By
Jane Ciabattari
| December 20, 2022
Martin Dyar on the Intersections of Poetry and Medicine
“In the work of making doctors, a great deal of imagination is marshaled.”
By
Martin Dyar
| December 20, 2022
Peter Orner and Emma Cline Discuss Endings, Memory, and Writing Against Classification
“A last line isn’t the last line, it’s just the last one we say out loud.”
By
Emma Cline
| December 19, 2022
Namwali Serpell on the “Uncanny Rhythm” of Poetry and Grief
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| December 19, 2022
Dave Chesson on Having Fun with Book Marketing
From the
Write-minded
Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| December 19, 2022
What Makes Writing Valuable?
William Pierce Addresses a Fraught Subject
By
William Pierce
| December 16, 2022
« First
‹ Previous
101
102
103
104
105
106
107
108
109
Next ›
Last »
Page 105 of 263
New Series to Watch this Weekend
January 30, 2026
by
Olivia Rutigliano
Ritual, Alternate Histories, and More: 8 Novels About Secret Societies
January 30, 2026
by
Karen Winn
The Best Reviewed Books of the Month: January 2026
January 30, 2026
by
CrimeReads
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"