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Matthew Salesses: “The K-Drama Ended Up Being the Piece That Helped Me To Put it Together”

Matthew Salesses: “The K-Drama Ended Up Being the Piece That Helped Me To Put it Together”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 19, 2023

Marisa Crane on the Finer Points of Experimental Fiction

Marisa Crane on the Finer Points of Experimental Fiction

“The experimental form should relate to and enhance the themes and narrative—not distract from it.”

By Mac Crane | January 19, 2023

Beyond <em>The Artist’s Way</em>: Julia Cameron on Writing for Life

Beyond The Artist’s Way: Julia Cameron on Writing for Life

In Conversation with Joel Fotinos, Virtually at Greenlight Bookstore

By The Virtual Book Channel | January 19, 2023

Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

“That absence grows into not a void, but a validation of a privacy we’ve lost track of in our information-abundant existence.”

By Daniel Torday | January 18, 2023

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 18, 2023

Heather Radke on the Profundity of Our Unruly Bodies

Heather Radke on the Profundity of Our Unruly Bodies

In Conversation with Jordan Kisner on Thresholds

By Thresholds | January 18, 2023

Best Reviewed
Books of the Week

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

By Otherppl with Brad Listi | January 18, 2023

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

By Erica Eisdorfer | January 17, 2023

How Leaning into Marginalia Helped Me Accept the Loss of Control That Comes with Publication

By Josh Riedel | January 17, 2023

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Jane Ciabattari Talks to the Author of The Chinese Groove

By Jane Ciabattari | January 17, 2023

Alia Trabucco Zerán, the Author of <em>When Women Kill</em>, on Writing While Uncomfortable

Alia Trabucco Zerán, the Author of When Women Kill, on Writing While Uncomfortable

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | January 17, 2023

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 17, 2023

Adriana Trigiani on Discipline and the Writing Life

Adriana Trigiani on Discipline and the Writing Life

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 17, 2023

What Would It Mean to Really Make Space for Mother-Artists?

What Would It Mean to Really Make Space for Mother-Artists?

Janet Manley on Hettie Judah and the Perennial Problem of the “Mother-Shaped Hole”

By Janet Manley | January 13, 2023

Toni Morrison on Breathing Life into Clichés

Toni Morrison on Breathing Life into Clichés

"A cliché is a cliché because it’s worthwhile. Otherwise, it would have been discarded."

By Toni Morrison | January 13, 2023

An Extraordinary Partnership: <em>Turn Every Page</em> Illustrates the Rare Ideal of Artistic Collaboration

An Extraordinary Partnership: Turn Every Page Illustrates the Rare Ideal of Artistic Collaboration

Michelle Nijhuis Considers the New Documentary About Robert Caro and Robert Gottlieb

By Michelle Nijhuis | January 13, 2023

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