Visual Disposability: How Photographic Practice Dehumanizes Black Bodies

Visual Disposability: How Photographic Practice Dehumanizes Black Bodies

Kimberly Juanita Brown on the Long, Global Tradition of the Antiblack Gaze

By Kimberly Juanita Brown | February 23, 2024

When Your Childhood Belongs to Everyone: Growing Up in a Downtown Manhattan That Changed Forever on 9/11

When Your Childhood Belongs to Everyone: Growing Up in a Downtown Manhattan That Changed Forever on 9/11

Emma Dries on Loft Life Above the Fulton Fish Market and the Day That Everything Changed

By Emma Dries | February 22, 2024

The Artist is Banned for Violating Community Guidelines: On Belle Delphine, Marina Abramovic, and Womanhood-As-Performance

The Artist is Banned for Violating Community Guidelines: On Belle Delphine, Marina Abramovic, and Womanhood-As-Performance

Rafael Frumkin Explores the Intersection of Art, Sexuality and Digital Content Creation

By Rafael Frumkin | February 16, 2024

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Mark Braude Considers the Blurred Lines Between Object and Participant, Artist and Muse

By Mark Braude | February 9, 2024

Blood, Sweat, and Paint: Finding the Work Behind the Art

Blood, Sweat, and Paint: Finding the Work Behind the Art

Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective

By Bianca Bosker | February 8, 2024

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Adam Greenhalgh on the American Abstract Painter's Early Years

By Adam Greenhalgh | February 7, 2024

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How Ai Weiwei Marries Advocacy and Art at Home and Abroad

By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini | January 30, 2024

Permanent Newness: Surrealism at 100

By Mark Polizzotti | January 9, 2024

How the Fire That Destroyed My Paintings Turned Me Into a Writer

By Jonathan Santlofer | January 5, 2024

On the Serious Business of 19th-Century Fairy Paintings

On the Serious Business of 19th-Century Fairy Paintings

Jennifer Higgie Considers the Significance of a Mystical Artistic Tradition

By Jennifer Higgie | January 5, 2024

How Alien We Seem: On Being Blind and Obsessed with Photography

How Alien We Seem: On Being Blind and Obsessed with Photography

M. Leona Godin Considers, Among Other Things, the Enduring Trope of the Blind Pencil Vendor

By M. Leona Godin | January 4, 2024

How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward

How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward

Michelle Wildgen on the Art of the Author Photo

By Michelle Wildgen | January 2, 2024

Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes

Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes

“The processes of photography were liquid for most of the medium’s history...”

By Rebecca Solnit and Meghann Riepenhoff | December 13, 2023

The 139 Best Book Covers of 2023

The 139 Best Book Covers of 2023

We Asked 47 Designers for Their Favorites

By Emily Temple | December 12, 2023

Memories Lost and Found: On the Photography of Binh Danh

Memories Lost and Found: On the Photography of Binh Danh

“Precious things lost are transmutable. They refuse oblivion.”

By Binh Danh | December 11, 2023

Embracing Uncertainty: In Defense of Question-Seeking Criticism

Embracing Uncertainty: In Defense of Question-Seeking Criticism

Helen Molesworth on the Uses and Functionality of the Arts and Humanities

By Helen Molesworth | December 11, 2023

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