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Chantal V. Johnson on Letting the Reader Be Smarter Than Her Character
In Conversation with Alex Higley and Lindsay Hunter on
I'm a Writer But
By
I'm a Writer But
| September 13, 2022
The Rising Tide
by Ann Cleeves, Read by Janine Birkett
Back on the Case with DI Vera Stanhope
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Behind the Mic
| September 13, 2022
How Seriously Should We Consider the January 6 Insurrection As a Threat to the American Republic?
Luke Mogelson in Conversation with Andrew Keen on
Keen On
By
Keen On
| September 13, 2022
Why World War II Remains So Seductive to Novelists For Writing About Good and Evil
Kristin Beck in Conversation with Andrew Keen on
Keen On
By
Keen On
| September 13, 2022
How Writers Can Use Both Memory and Forgetting to Improve Their Work
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Keen On
By
Keen On
| September 13, 2022
Introducing
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, a Deep-Dive Into the Audio Archives of the New York State Writers Institute
A New Podcast From Adam Colman and the New York State Writers Institute at the University at Albany
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David G. Haskell on the Beginning of Sound on Earth
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Should the Right to “Belong” Be Enshrined As a Sacred Human Right?
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Carlos Allende: How to Make Stories More Compelling
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A Profound Sense of Duty: What Josephine Baker Had in Common With Queen Elizabeth II
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Properties of Thirst
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Moving Historical Fiction
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Joma West Talks About Reputation, Hierarchy and Touch, as Told Through Her Dystopian Novel
Face
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New Books Network
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Javier Zamora: You Can't Simply Make Art From Your Trauma to Heal Yourself
This Week on
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Given YouTube’s World Domination, Should the Google-Owned Platform Be More Aggressively Regulated?
Mark Bergen in Conversation with Andrew Keen on
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"Poignant Tender The final line of em The Rest of Our Lives em is by…"