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The Family Tabor

The Family Tabor

Cherise Wolas

By Lit Hub Excerpts | July 9, 2018

Small Country

Small Country

Gaël Faye (trans. Sarah Ardizzone)

By Lit Hub Excerpts | July 6, 2018

"The Office of Missing Persons"

Akil Kumarasamy

By Lit Hub Excerpts | July 5, 2018

On Letting Kids Be Kids at Summer Camp

On Letting Kids Be Kids at Summer Camp

From Elizabeth Bishop to the Poets of Tomorrow

By Win Bassett | July 5, 2018

Zuihitsu

Zuihitsu

From Jenny Xie's Latest Poetry Collection, Eye Level

By Jenny Xie | July 3, 2018

"The Archivists"

Daphne Kalotay

By Lit Hub Excerpts | July 3, 2018

Best Reviewed
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Any Man

By Lit Hub Excerpts | July 2, 2018

The Iconoclast's Journal

By Lit Hub Excerpts | June 29, 2018

A Lot of My 'Process' is Just Mucking About

By Peter Mishler | June 28, 2018

The Shepherd’s Hut

The Shepherd’s Hut

Tim Winton

By Lit Hub Excerpts | June 28, 2018

The Hospital

The Hospital

Ahmed Bouanani, Trans. by Lara Vergnaud

By Lit Hub Excerpts | June 27, 2018

The Dependents

The Dependents

Katharine Dion

By Lit Hub Excerpts | June 26, 2018

Brother in Ice

Brother in Ice

Alicia Kopf, Trans. by Mara Faye Lethem

By Lit Hub Excerpts | June 25, 2018

On Apocalyptic Poetry

On Apocalyptic Poetry

Brandon Brown and Claire Marie Stancek in Conversation

By Literary Hub | June 25, 2018

Donald Hall: Poet of Eagle Pond Farm

Donald Hall: Poet of Eagle Pond Farm

When a Writer is Inextricably Linked to Place

By Nick Ripatrazone | June 25, 2018

Confessions of the Fox

Confessions of the Fox

Jordy Rosenberg

By Lit Hub Excerpts | June 22, 2018

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Page 179 of 246
    • Why The Mechanic, not The Jackal, Is the Ultimate 1970s Movie HitmanOctober 29, 2026 by J.M. Berger
    • Richard Chizmar on horror, alter egos, and ending his Boogeyman seriesOctober 29, 2026 by John B. Valeri
    • Adam Plantinga on writing gritty, tough-guy protagonists in modern crime fictionOctober 29, 2026 by Adam Plantinga
    • Sleuth-Hound: The Case of the Real Sherlock Holmes
    • The Best Reviewed Books of the Week
    • "A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."
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