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  • Craft and Criticism
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So, What Exactly Does Our Robot Future Look Like?

So, What Exactly Does Our Robot Future Look Like?

On Robots as Domestic Workers, Companions, and Caretakers

By Dr. Steven Novella with Bob Novella & Jay Novella | September 29, 2022

In Praise of Physical Books: From Symbols of Cultural Capital to... Cultural Relics?

In Praise of Physical Books: From Symbols of Cultural Capital to... Cultural Relics?

George Prochnik on Why Reading Offline Remains Essential

By George Prochnik | September 29, 2022

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Heidi Sopinka on Sartorial Experimentation

By Heidi Sopinka | September 29, 2022

WATCH: Saeed Jones on the Apocalypse as a State of Being

WATCH: Saeed Jones on the Apocalypse as a State of Being

In Conversation with Adam Falkner at Greenlight Bookstore

By The Virtual Book Channel | September 29, 2022

On the Meteoric Rise of “Aunt Elsie,” Beloved Newswoman and Children’s Columnist

On the Meteoric Rise of “Aunt Elsie,” Beloved Newswoman and Children’s Columnist

“I don’t believe in hammering in morals. I just believe in telling children’s stories which will make them happy.”

By Julia Scheeres and Allison Gilbert | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

“Let the Bees Tell You.” On the Holy Bible (For Beekeepers) of Buckfast Abbey

By Allison LaSorda | September 29, 2022

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

By Sophie Vershbow | September 29, 2022

Celebrating One-Note Men in Legally Blonde

By Open Form | September 29, 2022

Morning Brew: Nadiya Hussain’s Very Simple Coffee Cake

Morning Brew: Nadiya Hussain’s Very Simple Coffee Cake

Anyone Can Bake!

By Nadiya Hussain | September 29, 2022

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Stephen King on Celeste Ng, Lauren Michele Jackson on Namwali Serpell, and More

By Book Marks | September 29, 2022

More Than Tutus and Pointe Shoes: A Reading List of Ballet Books

More Than Tutus and Pointe Shoes: A Reading List of Ballet Books

Martha Anne Toll Recommends Sigrid Nunez, Julie Orringer, Alexandra Danilova, and More

By Martha Anne Toll | September 29, 2022

How Ross McCall Prepared for His Role in <em>Band of Brothers</em>

How Ross McCall Prepared for His Role in Band of Brothers

From the We Have Ways of Making You Talk Podcast

By We Have Ways of Making You Talk | September 29, 2022

Saeed Jones on the Poetic Economy of Language

Saeed Jones on the Poetic Economy of Language

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 29, 2022

<em>The Pallbearers Club </em>by Paul Tremblay, Read by a Full Cast

The Pallbearers Club by Paul Tremblay, Read by a Full Cast

A crescendo of horror, humor, and decadence

By Behind the Mic | September 29, 2022

The Impact of <em>The Secret Lives of Church Ladies</em>, Two Years Later

The Impact of The Secret Lives of Church Ladies, Two Years Later

From the Ursa Short Fiction Podcast with Deesha Philyaw and Dawnie Walton

By Ursa | September 29, 2022

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Page 342 of 1207
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    • Weird Girl Lit Galore: 10 Novels Featuring Unabashedly Unhinged Female CharactersOctober 30, 2025 by Heather Colley
    • 5 Central Texas Hubs for Horror Books and MoviesOctober 30, 2025 by Jess Hagemann
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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