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Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

In Which Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | March 13, 2026

What <em>Night of the Living Dead</em> Taught Me About Filmmaking—and Life

What Night of the Living Dead Taught Me About Filmmaking—and Life

Daniel Kraus on Horror, Improvisation and the Power of Creative Passion

By Daniel Kraus | March 13, 2026

Benjamin Franklin Was One of Many Early Americans Who Spread Genocidal Propaganda About Indigenous Nations

Benjamin Franklin Was One of Many Early Americans Who Spread Genocidal Propaganda About Indigenous Nations

Paul C. Rosier on Racial Conflict in the Early Republic

By Paul C. Rosier | March 13, 2026

Johnette Napolitano on a Companion For Her Beloved Horse, True

Johnette Napolitano on a Companion For Her Beloved Horse, True

“I’ve had true for about 17 years now and she’s still going strong.”

By Cat Willett | March 13, 2026

What I Learned From Making a Documentary About My Grandmother Beryl Bainbridge

What I Learned From Making a Documentary About My Grandmother Beryl Bainbridge

Filmmaker Charlie Russell on Keeping His Grandmother’s Story Alive for a New Generation

By Charlie Russell | March 13, 2026

“Talking Dog.” A Poem by Danniel Schoonebeek

“Talking Dog.” A Poem by Danniel Schoonebeek

“I speak in your voice / says the dog. / FBI hired me / one year & change / out of Quantico.”

By Danniel Schoonebeek | March 13, 2026

Best Reviewed
Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | March 13, 2026

Aracelis Girmay on Reading Toni Morrison and Lucille Clifton

By Thresholds | March 13, 2026

On the Power of Maia Kobabe’s Gender Queer, One of the Most Banned Books of Its Era

By Nico Mara-McKay | March 12, 2026

On Lio Min’s <em>Beating Heart Baby</em> as “Portable Fortress of Dreams”

On Lio Min’s Beating Heart Baby as “Portable Fortress of Dreams”

Alexander Chee Considers the 2022 YA Romance

By Alexander Chee | March 12, 2026

On the Pure Pleasure of Plot in Gretchen Felker-Martin’s <em>Manhunt</em>

On the Pure Pleasure of Plot in Gretchen Felker-Martin’s Manhunt

Harron Walker Considers the 2020 Speculative Horror Novel

By Harron Walker | March 12, 2026

On <em>Hail Mary</em>, an Important History of American Women Playing Tackle Football

On Hail Mary, an Important History of American Women Playing Tackle Football

Julie Kliegman Consdiers Frankie de la Cretaz and Lyndsey D’Arcangelo’s 2021 History

By Julie Kliegman | March 12, 2026

On the Struggle to Be a Good Man in Vivek Shraya’s <em>I’m Afraid of Men</em>

On the Struggle to Be a Good Man in Vivek Shraya’s I’m Afraid of Men

Costa Beavin Pappas Considers the 2018 Memoir

By Costa Beavin Pappas | March 12, 2026

On T Cooper’s Early Meditations on Being a Trans Man, <em>Real Man Adventures</em>

On T Cooper’s Early Meditations on Being a Trans Man, Real Man Adventures

Calvin Kasulke Considers the 2013 Essay Collection

By Calvin Kasulke | March 12, 2026

“By a Trans Woman, About Trans Women, For Trans Readers.” On Imogen Binnie’s <em>Nevada</em>

“By a Trans Woman, About Trans Women, For Trans Readers.” On Imogen Binnie’s Nevada

Denne Michele Norris Considers the 2013 Novel

By Denne Michele Norris | March 12, 2026

On the Origins of Genuine Intersectionality in Keeanga-Yamahtta Taylor’s <em>How We Get Free</em>

On the Origins of Genuine Intersectionality in Keeanga-Yamahtta Taylor’s How We Get Free

Alexis Clements Considers the 2017 History of the Combahee River Collective

By Alexis Clements | March 12, 2026

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