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How Richard Wright’s <em>Native Son</em> Eventually Made It to the Big Screen

How Richard Wright’s Native Son Eventually Made It to the Big Screen

Charlene Regester on the Fraught Relationship Between Early Black Writers and the American Film Industry

By Charlene Regester | February 29, 2024

Rachel Bitecofer on Democratic Strategies to Counter Republicans in the 2024 Election

Rachel Bitecofer on Democratic Strategies to Counter Republicans in the 2024 Election

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 29, 2024

Announcing <em>Voyage Into Genre</em> Live!

Announcing Voyage Into Genre Live!

Our Podcast with Tor Books hits the road!

By Tor Presents: Voyage into Genre | February 28, 2024

Phillipa Gregory on How the Norman Invasion Brought Patriarchy to England

Phillipa Gregory on How the Norman Invasion Brought Patriarchy to England

“There are more penises than English women in the Bayeux Tapestry.”

By Philippa Gregory | February 28, 2024

Uncovering the Incredible Story of a Romance Between Two Prisoners in Auschwitz

Uncovering the Incredible Story of a Romance Between Two Prisoners in Auschwitz

Keren Blankfeld on Researching a Gripping Love Story and the Challenges of Writing About Someone Who Isn't There

By Keren Blankfeld | February 28, 2024

From the Reservation to the River: On the Complexities of Writing About a Native Childhood

From the Reservation to the River: On the Complexities of Writing About a Native Childhood

Deborah Taffa on Acknowledging America’s Genocide of Native People

By Deborah Taffa | February 28, 2024

Best Reviewed
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  • Permanence
  • No Way Home
  • Muskism: A Guide for the Perplexed
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A Vanishing World: On Europe’s Disappearing Peasantry

By Patrick Joyce | February 28, 2024

Sororal Death and Sad, Sexy Icons: Emmeline Clein on Eating Disorder Memoirs and the Contagion of Identification

By Emmeline Clein | February 28, 2024

Tessa Hadley on Ivan Turgenev’s First Love

By Windham-Campbell Prizes Podcast | February 28, 2024

As Journalists Are Murdered in Gaza Their Counterparts Lose Jobs in America

As Journalists Are Murdered in Gaza Their Counterparts Lose Jobs in America

Steven W. Thrasher Wonders Who’s Left to “Afflict the Comfortable”

By Steven W. Thrasher | February 27, 2024

Hannah Goldfield on the Joy of Describing Tastes

Hannah Goldfield on the Joy of Describing Tastes

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | February 27, 2024

Amitava Kumar on Finding Solace in the Words of Others

Amitava Kumar on Finding Solace in the Words of Others

“I was still reporting to my father, the things I had read and all that I had remembered.”

By Amitava Kumar | February 27, 2024

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Jane Ciabattari Talks to the Author of “In Ascension”

By Jane Ciabattari | February 27, 2024

Avian Teachers: On What We Can Learn from Birds

Avian Teachers: On What We Can Learn from Birds

Trish O’Kane Explores the Myriad Ways Our Feathered Friends Can Show Us Smarter, More Compassionate Ways of Living

By Trish O'Kane | February 27, 2024

The Sweetness at the Core: Maurice Carlos Ruffin on the Positive, Humanizing Power of Fiction

The Sweetness at the Core: Maurice Carlos Ruffin on the Positive, Humanizing Power of Fiction

Considering the Central Role of Community and Solidarity in Stories of Marginalization

By Maurice Carlos Ruffin | February 27, 2024

Kyle MacLachlan Keeps Himself Open

Kyle MacLachlan Keeps Himself Open

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | February 27, 2024

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    • What's New To Streaming: April 30, 2026May 1, 2026 by Radha Vatsal
    • How Some Crime Writers Are Finding a New Path to PublishingMay 1, 2026 by Keith Roysdon
    • Lynn Cahoon on Choosing Whether to Set Cozies in Real or Fictional PlacesMay 1, 2026 by Lynn Cahoon
    • Permanence
    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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