“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

Veronica Roth’s Argument for Embracing the Unknown

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

Richard McCarthy in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Steve Kemper in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

Why “Writing” Has Nothing to Do With Being a “Writer”

Eduardo Halfon in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

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  • Mass Mothering
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How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

By Keen On | November 9, 2022

Reading Through the Midterms: Finding Bipartisanship with Books on the Front Lines of Democracy

By Kristopher Jansma | November 8, 2022

Reading the Power Dynamics of Gender in Ovid’s Metamorphoses

By Stephanie McCarter | November 8, 2022

A Strange and Uncomfortable Coupling: My Summer of Susan Faludi and Karl Ove Knausgaard

A Strange and Uncomfortable Coupling: My Summer of Susan Faludi and Karl Ove Knausgaard

Lynn Steger Strong on the Power of the Narratives We Build Around Narratives

By Lynn Steger Strong | November 8, 2022

On <em>Harold of the Purple Crayon</em> and the Value of an Imaginative Journey

On Harold of the Purple Crayon and the Value of an Imaginative Journey

Ross Ellenhorn Considers the Lessons and History of Crockett Johnson’s Classic

By Ross Ellenhorn | November 8, 2022

“Blown Apart by Love and Grief.” Catherine Newman in Conversation with Debra Jo Immergut

“Blown Apart by Love and Grief.” Catherine Newman in Conversation with Debra Jo Immergut

The Author of We All Want Impossible Things on Motivation, Fictionalizing Grief, and Balancing Writing While Parenting

By Debra Jo Immergut | November 8, 2022

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | November 8, 2022

“The Cat Thief” by Son Bo-mi, Translated by Janet Hong

“The Cat Thief” by Son Bo-mi, Translated by Janet Hong

From the Latest Issue of Freeman's

By Son Bo-mi and Janet Hong | November 8, 2022

The Globalization Myth: Why Most Economics Is Regional

The Globalization Myth: Why Most Economics Is Regional

Shannon O’Neil in Conversation with Andrew Keen on Keen On

By Keen On | November 8, 2022

Ada Calhoun on the Satisfaction of Being a Ghostwriter “Fixer”

Ada Calhoun on the Satisfaction of Being a Ghostwriter “Fixer”

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | November 8, 2022

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