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Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Yume Kitasei on Reading and Writing Through Ongoing Catastrophe

By Yume Kitasei | August 30, 2023

Nancy Bilyeau Reads From <em>The Orchid Hour</em>

Nancy Bilyeau Reads From The Orchid Hour

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | August 30, 2023

How Obscenity Laws Nearly Stopped Nabokov's <em>Lolita</em> from Being Published

How Obscenity Laws Nearly Stopped Nabokov's Lolita from Being Published

Thomas Harding on the Legendary Editor George Weidenfeld, Literary Smuggling, and Morality in Fiction

By Thomas Harding | August 29, 2023

The Real-Life Poetry of Gardening

The Real-Life Poetry of Gardening

Tess Taylor on the Ancient Genre of Garden Poems and the Connective Power of Working with Plants

By Tess Taylor | August 29, 2023

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

"The only way to dismantle the perception of a monolithic Hawaiian experience is to uplift a multitude of Hawaiian stories"

By Megan Kamalei Kakimoto | August 29, 2023

What to Read When You’re Expecting: 7 Radical Perspectives on Motherhood

What to Read When You’re Expecting: 7 Radical Perspectives on Motherhood

Jessica Hendry Nelson Recommends Camille Dungy, Rachel Cusk, and More

By Jessica Hendry Nelson | August 29, 2023

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
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  • Look What You Made Me Do
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  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Angie Kim on Measures of Happiness and the Many Forms Intelligence Can Take

By Jane Ciabattari | August 29, 2023

Anne Lamott on Starting Where You Are

By Talk Easy | August 29, 2023

Daniel Hornsby on the Charisma of a First-Person Narrator

By I'm a Writer But | August 29, 2023

The Existential Impossibilities of Parenting, in Fiction and Life

The Existential Impossibilities of Parenting, in Fiction and Life

Rebecca Ackermann on New Books by Edan Lepucki and Yael Goldstein-Love

By Rebecca Ackermann | August 28, 2023

Miles Franklin Winner Shankari Chandran on Defining Australianness

Miles Franklin Winner Shankari Chandran on Defining Australianness

In Conversation with Janet Manley

By Janet Manley | August 28, 2023

Rebecca Carroll and Jeannine Ouellette on the Art of Memoir

Rebecca Carroll and Jeannine Ouellette on the Art of Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 28, 2023

Patrick Whitmarsh on Fiction's Response to Existential Crises

Patrick Whitmarsh on Fiction's Response to Existential Crises

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 28, 2023

Was Marcel Proust A Comedian? On the Unexpected Humor of <em>In Search of Lost Time</em>

Was Marcel Proust A Comedian? On the Unexpected Humor of In Search of Lost Time

Michael Wood Considers an Overlooked Aspect of the French Novelist's Body of Work

By Michael Wood | August 25, 2023

Looking Back at the Groundbreaking Puerto Rican Spanglish Novel <em>Yo-Yo Boing!</em>

Looking Back at the Groundbreaking Puerto Rican Spanglish Novel Yo-Yo Boing!

Rolando Pérez Reflects on Giannina Braschi's Translingual Boricua Classic

By Rolando Pérez | August 25, 2023

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

"I am compelled to anatomize my being."

By Yves Jeffcoat | August 25, 2023

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    • On the Healing Power of a Really Good GrudgeJune 4, 2026 by Michael Gonzales
    • 6 Twisty Suspense Novels That Go Down the Rabbit HoleJune 4, 2026 by Erica Hendry
    • Clive Cussler and the Art of the ThrillerJune 4, 2026 by Graham Brown
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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