Literary Hub » Craft and Criticism

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

Nicci French in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

The Soviet Union Might Be Dead, But the Consequences of Its Disastrous Collapse Continue to Haunt Us

The Soviet Union Might Be Dead, But the Consequences of Its Disastrous Collapse Continue to Haunt Us

Vladislav M. Zubok in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

Why American Teachers’ Unions Are So Powerful

Why American Teachers’ Unions Are So Powerful

Michael T. Hartney in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

16 new releases to support your out-of-control book-buying habit.

16 new releases to support your out-of-control book-buying habit.

By Katie Yee | October 25, 2022

Sweet Yet Sinister: How the Stroller Embodies Parental Hopes and Fears

Sweet Yet Sinister: How the Stroller Embodies Parental Hopes and Fears

Amanda Parrish Morgan on Maternal Idealization and Inadequacy

By Amanda Parrish Morgan | October 24, 2022

The Most Important Poem of the 20th Century: On T.S. Eliot’s “The Waste Land” at 100

The Most Important Poem of the 20th Century: On T.S. Eliot’s “The Waste Land” at 100

“The poem is such a key landmark that all modern poets know it, whether they swerve around it, crash into it, or attempt to assimilate it.”

By Literary Hub | October 24, 2022

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How T.S. Eliot’s Therapeutic Practice Produced The Waste Land

By David Barnes | October 24, 2022

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

By Memoir Nation | October 24, 2022

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

By First Draft: A Dialogue on Writing | October 24, 2022

How Modern is <em>The Waste Land</em>, After All?

How Modern is The Waste Land, After All?

“What could be cooler than the harmony between two great artists born in two different centuries and half a world apart?”

By Alok A. Khorana | October 24, 2022

Why Is Flying So Miserable These Days? And Was It Ever That Glamorous?

Why Is Flying So Miserable These Days? And Was It Ever That Glamorous?

Ann Hood in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

How Was Your <em>Ulysses</em>?

How Was Your Ulysses?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Robert T. Tally Jr. in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

Peter Robison in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

Mary Karr on Navigating Memory While Writing Memoir

Mary Karr on Navigating Memory While Writing Memoir

“A single image can split open the hard seed of the past.”

By Mary Karr | October 21, 2022

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