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Jeannine Ouellette on Making Art from Your Life

Jeannine Ouellette on Making Art from Your Life

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 7, 2023

Literary Dispatches from the 2023 Sundance Film Festival

Literary Dispatches from the 2023 Sundance Film Festival

Jihane Bousfiha on Cat Person, Eileen, Shortcomings, and More

By Jihane Bousfiha | February 6, 2023

Laura Warrell on Publishing While Black

Laura Warrell on Publishing While Black

“What’s key is not that authors of color talk about race the ‘right’ way, but simply that we’re here.”

By Laura Warrell | February 6, 2023

Queer Correspondence: On the Radical Potential of Epistolary Poetry

Queer Correspondence: On the Radical Potential of Epistolary Poetry

Madeleine Cravens Considers the Poems That Explore the Spaces Between Public and Private

By Madeleine Cravens | February 6, 2023

Bedtime Stories From Toni Morrison: Priscilla Gilman on Her Singular Literary Upbringing

Bedtime Stories From Toni Morrison: Priscilla Gilman on Her Singular Literary Upbringing

The Author of The Critic's Daughter in Conversation with Lauren LeBlanc

By Lauren LeBlanc | February 6, 2023

Who Really Was Margaret Fuller Before Her Sudden Death?

Who Really Was Margaret Fuller Before Her Sudden Death?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | February 6, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Kwame Dawes on The Narrative of the Life of Frederick Douglass

By Kwame Dawes | February 6, 2023

The Literary Film and TV You Need to Stream in February

By Emily Temple | February 3, 2023

Mysteries Contained Therein: In Praise of the Literary Journal Longform Interview

By Nick Ripatrazone | February 3, 2023

Quan Barry on the Benefits of Writing Across Genre.

Quan Barry on the Benefits of Writing Across Genre.

“Try it all on for size. Take risks in your writing, and reinvent yourself constantly.”

By Quan Barry | February 3, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Pamela Anderson, Waco, an International Booker Prize Winner, and More

By Book Marks | February 3, 2023

Life Advice for Book Lovers: For All the Single Ladies (The Book You Need Now)

Life Advice for Book Lovers: For All the Single Ladies (The Book You Need Now)

Book Recommendations for the Troubled Soul

By Dorothea | February 3, 2023

Ayşegül Savaş on the Work and Career of Turkish Writer Tezer Özlü

Ayşegül Savaş on the Work and Career of Turkish Writer Tezer Özlü

"Her voice was uniquely her own: consciousness distilled into narrative form.”

By Aysegül Savas | February 3, 2023

Why Denise Crittendon Won't Write About Violence

Why Denise Crittendon Won't Write About Violence

In Conversation with Brenda Noiseux and Rob Wolf on the New Books Network

By New Books Network | February 3, 2023

Tracy Kidder on How One Doctor Brought Healing to the Homeless

Tracy Kidder on How One Doctor Brought Healing to the Homeless

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | February 3, 2023

17 paperbacks coming out this February.

17 paperbacks coming out this February.

By Katie Yee | February 2, 2023

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Page 209 of 653
    • Halle Berry Will Play the President of the United States in The President is MissingFebruary 4, 2026 by Olivia Rutigliano
    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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