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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
George Saunders on His First Love: Songwriting
Mike Errico Talks to the Writer About His Alternative Life as an Almost Professional Musician
By
Mike Errico
| January 9, 2023
Unguilty Pleasures: My Year of Reading Romance Novels
Katie Fustich on Finding New Possibilities in a Misunderstood Genre
By
Katie Fustich
| January 9, 2023
That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”
“With me an unfinished thing is a thing that might as well be rubbed out.”
By
Matthew Hollis
| January 9, 2023
Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books
Recommendations from Booksellers in Point Reyes, CA
By
Literary Hub
| January 9, 2023
Peter Cole on Making the Poetic Abstract Concrete
The Poet on His New Collection
Draw Me After
By
Literary Hub
| January 9, 2023
“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 9, 2023
Best Reviewed
Books of the Week
Nothing is Real: Craig Brown on the Slippery Art of Biography
By
Craig Brown
| January 8, 2023
In
Women Talking
, Acts of Imagination Are Acts of Resistance
By
Michelle Nijhuis
| January 6, 2023
The Original
Pinocchio
Is a Radical Anti-Work Story
By
Alessandro Delfanti
| January 6, 2023
The Sanctity of a Journal: On Private Writing in the Age of Public Content
“What stories do we owe each other—ourselves?”
By
Rachel Schwartzmann
| January 6, 2023
Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World
Pico Iyer in Conversation with Andrew Keen on
Keen On
By
Keen On
| January 6, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Tom Crewe, Parini Shroff, Martha C. Nussbaum, and More
By
Book Marks
| January 6, 2023
We
Can’t
Do It: How Women’s Contributions to Fighting Fascism Were Forgotten
Natasha Lester on the Collective Amnesia Around Women’s Accomplishments After World War II
By
Natasha Lester
| January 6, 2023
Gerald Stern on the Accidental Beginnings of Poems
“Every poem worth its salt was unpredicted and has its genesis at a low point in the poet’s journey.”
By
Gerald Stern
| January 6, 2023
Why 2023 Probably Won’t Bring an End to the War in Ukraine
Angela Stent in Conversation with Andrew Keen on
Keen On
By
Keen On
| January 6, 2023
Annalee Newitz on Writing Stories That Reveal a Pathway Out of Dark Times
In Conversation with Brenda Noiseux and Rob Wolf on the
New Books Network
By
New Books Network
| January 6, 2023
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Page 203 of 641
The 9 Best French Jewel Theft Films
November 6, 2025
by
Julia Sirmons
11 Mystery Novels That Explore the Power of Rumors and Gossip
November 6, 2025
by
Lauren Oliver
P.J. Tracy on Writing about Serial Killers and Secular Horror
November 6, 2025
by
P.J. Tracy
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"