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Craft and Criticism
Mai Nardone’s Unvarnished Fictional Truths About Life in Contemporary Thailand
In Conversation with Andrew Keen on
Keen On
By
Keen On
| February 14, 2023
BookTok is Good, Actually: On the Undersung Joys of a Vast and Multifarious Platform
Leigh Stein Wonders Why More Book People Don’t Embrace the Publishing Juggernaut
By
Leigh Stein
| February 13, 2023
Ann Beattie Wonders What Donald Barthelme Would Have Made of the Spy Balloon
In Which Barthelme’s Story, “The Balloon,” Gets a Very Close Reading
By
Ann Beattie
| February 13, 2023
Five Surreal Works of Fiction You Probably Haven’t Read... and
Slaughterhouse-Five
Isabel Waidner Recommends Megan Milks, Jess Arndt, Kurt Vonnegut, and More
By
Isabel Waidner
| February 13, 2023
Why Harlem? Considering the Site of “Civil Rights by Copyright,” 100 Years Later
Bo McMillan on the Confluence of Black Modernity, Self-Determinism, and Belongingness of Harlem's Housing
By
Bo McMillan
| February 13, 2023
Dr. Tara A. Bynum Considers Four Canonical Black Writers from the 18th and Early 19th Centuries
From
The History of Literature
Podcast with Jacke Wilson
By
History of Literature
| February 13, 2023
Best Reviewed
Books of the Week
Kathryn Ma on Portraying Asian-Americans Positively and the “Messiness That is Life in Any Community”
By
First Draft: A Dialogue on Writing
| February 13, 2023
In
Knock at the Cabin
, M. Night Shyamalan’s Twist is the Lack of a Twist
By
Jonathan Russell Clark
| February 10, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
By
Book Marks
| February 10, 2023
Helen Sword on the Physicality of Language
“Because I can no longer ignore my body while I’m writing, I have learned to trust its wisdom.”
By
Helen Sword
| February 10, 2023
The Strangest Things Are the Truest: Laline Paull on Channeling a Dolphin’s Narrative Voice
“We hope and we fear that animals are more like us than we imagine.”
By
Laline Paull
| February 10, 2023
The Annotated Nightstand: What José Olivarez is Reading Now and Next
Featuring Paul Beatty, N.K. Jemisin, Yanyi and more.
By
Diana Arterian
| February 10, 2023
How Does It Feel Different to Develop a Voice For a Story Versus a Novel?
Patricia Engel on
The Literary Life with Mitchell Kaplan
By
The Literary Life
| February 10, 2023
Ayọ̀bámi Adébáyọ̀ on Capturing What it Means to Live in Contemporary Nigeria
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| February 9, 2023
The Coming-of-Age Tale As Societal Critique: Sylvia Plath’s
The Bell Jar
at 60
Heather Clark on One of the Defining Novels of the 20th Century
By
Heather Clark
| February 9, 2023
Courtney Maum on Exploring Depression and Forgiveness Through Horseback Riding
The Author of
The Year of the Horses
in Conversation with Roxanne Coady on
Just the Right Book
By
Just the Right Book
| February 9, 2023
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Elevate Your January Weekend Viewing with a Crime Movie set in the South of France
January 9, 2026
by
Olivia Rutigliano
"The Stephen King of His Time": Richard Matheson's Remarkable Career on Page and Screen
January 9, 2026
by
Keith Roysdon
8 Cozy Mysteries Perfect for Middle Grade and Young Adult Readers
January 9, 2026
by
Taryn Souders
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"