Literary Hub » Craft and Criticism

What Hemingway Means in the 21st Century

What Hemingway Means in the 21st Century

David Barnes on the Masculinity and Baggage of Ernest Hemingway at 100 Years

By David Barnes | April 17, 2023

Contexts and Experiences of the African Diaspora: A Reading List

Contexts and Experiences of the African Diaspora: A Reading List

Toyin Falola Recommends Kenneth Binyavanga Wainaina, Trevor Noah, and More

By Toyin Falola | April 17, 2023

How Spiritualism Influenced a Divisive But Brilliant Australian Novelist

How Spiritualism Influenced a Divisive But Brilliant Australian Novelist

Cameron Hurst on Contacting the Spirit of Henry Handel Richardson

By Cameron Hurst | April 17, 2023

No One’s Suffering is Banal: Cathleen Schine on the Intricacy of Writing Trauma

No One’s Suffering is Banal: Cathleen Schine on the Intricacy of Writing Trauma

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 17, 2023

Gabrielle Octavia Rucker on the Power of Decentering Human Experience in Poetry

Gabrielle Octavia Rucker on the Power of Decentering Human Experience in Poetry

Peter Mishler Talks With the Author of Dereliction

By Peter Mishler | April 17, 2023

The Bolt Bus Was My Biweekly Bardo: Life Between Writer and Daughter

The Bolt Bus Was My Biweekly Bardo: Life Between Writer and Daughter

Blair Hurley on the Inability to Sustain Her Writer-Self on Weekends

By Blair Hurley | April 17, 2023

Best Reviewed
Books of the Week

Blind Willow, Sleeping Woman is an Uncanny, Stirring Film and a Worthy Tribute to Haruki Murakami

By Olivia Rutigliano | April 14, 2023

Why the Culture of the So-Called Great Books is Hostile to Trans People

By Naomi Kanakia | April 14, 2023

Pattiann Rogers on the Scientific Underpinnings of Poetry

By Pattiann Rogers | April 14, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Izumi Suzuki, Mark Bowden, Molly Prentiss, and More

By Book Marks | April 14, 2023

Rachel Beanland on Managing Time in Fiction

Rachel Beanland on Managing Time in Fiction

On the Careful Balance Between Scene and Summary

By Rachel Beanland | April 14, 2023

On the Outsize Power of the Short Story (AKA the Genre of “High Genius”)

On the Outsize Power of the Short Story (AKA the Genre of “High Genius”)

Daphne Kalotay Reminds Us of the Value of Short Fiction

By Daphne Kalotay | April 13, 2023

Is the Past a Literary Genre Unto Itself?

Is the Past a Literary Genre Unto Itself?

Sophie Mackintosh Speculates on the Nature of Historical Speculation

By Sophie MacKintosh | April 13, 2023

How Making Audio Erotica Helped Me Write Better Dialogue

How Making Audio Erotica Helped Me Write Better Dialogue

Selene Ross on Harnessing the Power of Sound to Write Fiction

By Selene Ross | April 13, 2023

I Would Drive 222 Miles (To Be a Writer)

I Would Drive 222 Miles (To Be a Writer)

Jeff Boyd on the Real Distance Between Chicago and Iowa

By Jeff Boyd | April 13, 2023

Alex Mar on the Story of Radical Forgiveness Behind Her New Book

Alex Mar on the Story of Radical Forgiveness Behind Her New Book

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 13, 2023

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