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  • Craft and Criticism
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Write Who You Love: J. Ryan Stradal on Memorializing His Mother Through Fiction

Write Who You Love: J. Ryan Stradal on Memorializing His Mother Through Fiction

"Over time I learned how to stare into that loss, a loss that brought more pain and longing than I’d ever felt, and pull her back through it."

By J. Ryan Stradal | October 16, 2023

Stories About Myself: The Narratives and Realities of my Childhood in an Urban Commune

Stories About Myself: The Narratives and Realities of my Childhood in an Urban Commune

Pamela Newton Reflects on Alexander Stille's The Sullivanians: Sex, Psychotherapy, and the Wild Life of an American Commune

By Pamela Newton | October 16, 2023

On Safiya Sinclair, Noreen Masud and Exposing the Sins of Our Fathers

On Safiya Sinclair, Noreen Masud and Exposing the Sins of Our Fathers

Lily Dunn on the Aftermath of Writing a Memoir About Fathers

By Lily Dunn | October 16, 2023

Raising the Dead from Paper: Katharine Quarmby on Fiction's Friendly Ghosts

Raising the Dead from Paper: Katharine Quarmby on Fiction's Friendly Ghosts

"Remembering is both an act of restitution and of defiance."

By Katharine Quarmby | October 16, 2023

Celia Brayfield on How Anna Sewell Changed Animal Rights

Celia Brayfield on How Anna Sewell Changed Animal Rights

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 16, 2023

Rainbow Rowell on the Love of Fan Fiction

Rainbow Rowell on the Love of Fan Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 16, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | October 13, 2023

Dorothea Lasky on the Power of Horror

By Dorothea Lasky | October 13, 2023

Living the Questions: Lisa C. Krueger on the Shared Foundations of Therapy and Poetry

By Lisa C. Krueger | October 13, 2023

Nicola Griffith on Writing Immersive Historical Fiction

Nicola Griffith on Writing Immersive Historical Fiction

"Empathy is a powerful tool, and sharp. Be careful how you wield it."

By Nicola Griffith | October 13, 2023

In Praise of Pulp Fiction

In Praise of Pulp Fiction

Isa Arsén on Carving Out a Home in a Bygone Genre

By Isa Arsén | October 12, 2023

Inspired By the <em>Genius Loci</em>: On Unlocking the Spirit of Settings

Inspired By the Genius Loci: On Unlocking the Spirit of Settings

Martin Goodman Considers What It Means to Write About the Holocaust

By Martin Goodman | October 12, 2023

Safiya Sinclair on Growing Up Rastafari

Safiya Sinclair on Growing Up Rastafari

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 12, 2023

Rebecca Makkai on Progress, Misogyny, and #MeToo

Rebecca Makkai on Progress, Misogyny, and #MeToo

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | October 12, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

"The book is a naked attempt by a twilight superstar to shore up his legacy"

By Book Marks | October 12, 2023

The Pleasures of a Pessimistic Literary Escape: Jessie Gaynor on Edith Wharton’s <em>The Glimpses of the Moon</em>

The Pleasures of a Pessimistic Literary Escape: Jessie Gaynor on Edith Wharton’s The Glimpses of the Moon

"Even when writing an escapist romance, Wharton is inescapably herself"

By Jessie Gaynor | October 11, 2023

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    • The Power of Creating Fictional Characters Who Aren't What They SeemNovember 10, 2025 by Sheila Roberts
    • 10 New Books Coming Out This WeekNovember 10, 2025 by CrimeReads
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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